Pater Sparrow
http://dbpedia.org/resource/Pater_Sparrow an entity of type: Thing
Pater Sparrow, origine laŭ hungarlingve kutima nomordo Verebes Zoltán estas hungara reĝisoro. Liaj gepatroj estis István Verebes kaj Éva Héczey. Pater Sparrow naskiĝis la 17-an de januaro 1978 en Budapeŝto.
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Pater Sparrow (born Zoltán Verebes in 1978, in Budapest) is a Hungarian filmmaker and production designer. He graduated from London Film School as a director with a production designer distinction. He is the son of Hungarian actor/director/media personality and grandson of actor . Starting as an amateur filmmaker, Sparrow made his first two short films (Without With 1998, The Something 1999,) which were nominated both year in competition in the biggest film festival in Hungary. His first feature film 1 (2009) reached a big success for a debut film in Hungary, and also collected awards abroad.
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Pater Sparrow (lahir dengan nama Zoltán Verebes pada tahun 1978, di Budapest, Hongaria) adalah Hungaria pembuat film dan . Dia lulus dari Sekolah Film London sebagai direktur dengan perbedaan desainer produksi. Dia adalah putra dari aktor Hungaria / direktur / media kepribadian dan cucu dari aktor . debut Film pertamanya 1(2009) mencapai sukses besar untuk debut film di Hungaria, dan juga mengumpulkan penghargaan di luar negeri.
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Pater Sparrow
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Pater Sparrow
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Pater Sparrow
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13572594
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1115319930
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Pater Sparrow, origine laŭ hungarlingve kutima nomordo Verebes Zoltán estas hungara reĝisoro. Liaj gepatroj estis István Verebes kaj Éva Héczey. Pater Sparrow naskiĝis la 17-an de januaro 1978 en Budapeŝto.
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Pater Sparrow (born Zoltán Verebes in 1978, in Budapest) is a Hungarian filmmaker and production designer. He graduated from London Film School as a director with a production designer distinction. He is the son of Hungarian actor/director/media personality and grandson of actor . Starting as an amateur filmmaker, Sparrow made his first two short films (Without With 1998, The Something 1999,) which were nominated both year in competition in the biggest film festival in Hungary. Since being intertested in the boundaries of conventional filmmaking he applied to the very pragmatic London Film School. While studying in London he had made two short films Sense (2001) Limit (2002) and worked in several film projects as a production designer. He graduated as a MA director and production designer with his diploma film called T?ick (2004) and wrote dissertation in the topic of non-narrative film theories. After living and studying in the United Kingdom, he returned to his hometown, Budapest where he started developing on his first feature film based on a Stanislaw Lem essay, with the help of his former mentor Zoltan Kamondi's company Honeymood Films. Meanwhile, he was making several experimental films and visual projects like RECYCLEd – Pro – Reo – Neo (2006) which also attracted attention to him. His first feature film 1 (2009) reached a big success for a debut film in Hungary, and also collected awards abroad. He is primarily interested in unique experimental style of mystic and surreal elements in shifted space and time with visual allegories and codes. He considers himself a filmmaker who approaches filmmaking as a visual communication in the face of storytelling. During the years he had experienced working in different fields of professional film and television crews, such as assistant for director Zoltán Kamondi in The Alchemist And The Virgin (1999) assistant production designer for Academy Award winner Luciana Arigghi in Being Julia (2004) art director for Kevin Phipps production designer (Eyes Wide Shut, Fifth Element, Dune, Slipstream, etc.)in a Cadbury commercial which was directed by Brian Buckley, or production designer of Pater Strickland's third feature film The Duke Of Burgundy (2014). In 2015 he made the production design on several Hungarian feature films such as 'My Night Is Your Day / Éjszakám a nappalod (2015), Well / Kút (2015), Troupers / Vándorszínészek (2015), in 2016 Budapest Noir (2016), in 2017 Swoon (2018), and in 2018 BUÉK (2018). He is currently developing his second feature film based on Boris Vian's Heartsnatcher, and working freelance in Hungary.
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Pater Sparrow (lahir dengan nama Zoltán Verebes pada tahun 1978, di Budapest, Hongaria) adalah Hungaria pembuat film dan . Dia lulus dari Sekolah Film London sebagai direktur dengan perbedaan desainer produksi. Dia adalah putra dari aktor Hungaria / direktur / media kepribadian dan cucu dari aktor . Memulai sebagai pembuat film amatir, Sparrow pertama kali membuat dua film pendek (Without With 1998, The Something 1999,) pada tahun kedua yang dinominasikan dalam kompetisi di festival film terbesar di Hongaria. Selama bertahun-tahun ia pernah bekerja di berbagai bidang kru televisi dan film profesional, seperti asisten direktur Zoltán Kamondi di film The Alchemist and The Virgin (1999) dan direktur asisten seni untuk penghargaan akademi Luciana Arigghi di Being Julia (2004). Sejak tertarik dalam batas-batas konvensional pembuatan film ia diterapkan pada London School sangat pragmatis Film. Sementara belajar di London dia telah membuat dua film pendek Sense (2001) Limit (2002) dan bekerja di beberapa proyek film sebagai desainer produksi. Ia lulus sebagai direktur MA dan desainer produksi dengan film diploma disebu T?ick (2004) dan menulis disertasi dalam topik non-naratif teori film. Setelah tinggal dan belajar di Inggris, dia kembali ke kampung halamannya, Budapest di mana ia mulai mengembangkan pada film pertamanya berdasarkan esai Lem Stanislaw, dengan bantuan Film mantan mentornya Zoltan Kamondi di perusahaan. Sementara dia membuat film eksperimental beberapa proyek visual seperti RECYCLEd – Pro – Reo – Neo (2006) yang juga menarik perhatian kepadanya. debut Film pertamanya 1(2009) mencapai sukses besar untuk debut film di Hungaria, dan juga mengumpulkan penghargaan di luar negeri. Terutama ia tertarik dalam gaya eksperimental unik dari unsur-unsur mistik dan nyata dalam ruang dan waktu bergeser dengan kiasan visual dan kode. Dia menganggap dirinya pembuat film yang mendekati pembuatan film sebagai komunikasi visual dalam menghadapi bercerita.
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9682