Pardo Venus

rdf:langString Pardo Venus

rdf:langString The Pardo Venus is a painting by the Venetian artist Titian, completed in 1551 and now in the Louvre Museum. It is also known as Jupiter and Antiope, since it seems to show the story of Jupiter and Antiope from Book VI of the Metamorphoses (lines 110-111). It is Titian's largest mythological painting, and was the first major mythological painting produced by the artist for Philip II of Spain. It was long kept in the Royal Palace of El Pardo near Madrid (not to be confused with the Prado, a purpose-built museum), hence its usual name; whether Venus is actually represented is uncertain. It later belonged to the English and French royal collections. Analysis of its style and composition shows that Titian modified a Bacchanalian scene he had begun much earlier in his career by completing the landscape background and adding figures. For Sydney Freedberg it was "probably in substance an invention of the later 1530s, though significantly reworked later; it is full of motifs and ideas that have been recollected from an earlier and more Giorgionesque time, ordered in an obvious and uncomplicated classicizing scheme." Though, if Antiope is the nude, the painting meets the basic definition of Titian's poesie series, mythological scenes from Ovid painted for Philip II, the painting is typically not counted in the series, either as it was begun well before Titian used the term in a letter to the Spanish King, or because the nude is indeed Venus, in which case no such scene is described by Ovid.