Pandiatonicism
http://dbpedia.org/resource/Pandiatonicism an entity of type: TopicalConcept
Pandiatonicism is a musical technique of using the diatonic (as opposed to the chromatic) scale without the limitations of functional tonality. Music using this technique is pandiatonic.
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Il pandiatonicismo è una tecnica musicale di utilizzo della scala diatonica al contrario della scala cromatica, senza i limiti della tonalità funzionale. La musica che usa questa tecnica è pandiatonica.
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パンダイアトニシズムは、(クロマチックスケールではなく)ダイアトニックスケールを使用する音楽技法。機能和声理論的な調性の制約を使用しないことが特徴である。パンダイアトニシズムで用いられる音楽的概念をパンダイアトニックと呼ぶ。
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Pandiatonicismo
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パンダイアトニシズム
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Pandiatonicism
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Simms, Bryan R. 1986. Music of the Twentieth Century: Style and Structure. New York: Schirmer Books; London: Collier Macmillan. .
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Woodward, James Charles. 2009. A System for Creating Pandiatonic Music. Arizona State University. .
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Everett, Walter. 2001. The Beatles as Musicians: The Quarry Men Through Rubber Soul. Oxford and New York: Oxford University Press. .
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Latham, Alison . 1992. "Pandiatonicism [Pandiatonism]". The Oxford Companion to Music. Oxford and New York: Oxford University Press.
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Tymoczko, Dmitri. 2011. A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Oxford and New York: Oxford University Press. .
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Machlis, Joseph. 1979. Introduction to Contemporary Music, second edition. New York and London: W. W. Norton. .
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Mann, William. 1963. "London". The Times .
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Waters, Robert Francis. 2008. Déodat de Séverac: Musical Identity in Fin de Siècle France. Aldershot, Hants., and Burlington, Vermont: Ashgate Publishing. .
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Andriessen, Louis, and Elmer Schönberger. 2006. The Apollonian Clockwork: On Stravinsky. Amsterdam: Amsterdam University Press. .
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Slonimsky, Nicolas, 1947. Thesaurus of Scales and Melodic Patterns. New York: Charles Scribner's Sons. . Reprinted, Schirmer Trade Books, 1975. .
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Slonimsky, Nicolas. 2000. The Listener's Companion: The Great Composers and Their Works, edited by Electra Yourke. New York: Schirmer Trade Books. .
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Jaffe, Stephen. 1992. "Conversation between SJ and JS on the New Tonality". Contemporary Music Review 6, no. 2:27–38.
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Hepokoski, James A. 1984. "Formulaic Openings in Debussy". 19th-Century Music 8, no. 1 : 44–59.
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Anon. 2001. "Pandiatonicism". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
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Schiff, David. 1997. Gershwin: Rhapsody in Blue. Cambridge Music Handbooks. Cambridge and New York: Cambridge University Press. .
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Kennedy, Michael. 2006. "Pandiatonicism". The Oxford Dictionary of Music, second edition, revised; edited by Joyce Bourne. Oxford and New York: Oxford University Press. .
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Kostelanetz, Richard. 2013. A Dictionary of the Avant-Gardes. London and New York: Routledge. .
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Dahlhaus, Carl, Julian Anderson, Charles Wilson, Richard Cohn, and Brian Hyer. 2001. "Harmony". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
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Everett, Walter. 1999. The Beatles as Musicians: Revolver Through the Anthology. Oxford. .
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van den Toorn, Pieter. 1975. "Some Characteristics of Stravinsky's Diatonic Music". Perspectives of New Music 14, no. 1. : 104–138.
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Pandiatonicism is a musical technique of using the diatonic (as opposed to the chromatic) scale without the limitations of functional tonality. Music using this technique is pandiatonic.
rdf:langString
Il pandiatonicismo è una tecnica musicale di utilizzo della scala diatonica al contrario della scala cromatica, senza i limiti della tonalità funzionale. La musica che usa questa tecnica è pandiatonica.
rdf:langString
パンダイアトニシズムは、(クロマチックスケールではなく)ダイアトニックスケールを使用する音楽技法。機能和声理論的な調性の制約を使用しないことが特徴である。パンダイアトニシズムで用いられる音楽的概念をパンダイアトニックと呼ぶ。
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12111