Outside (David Bowie album)
http://dbpedia.org/resource/Outside_(David_Bowie_album) an entity of type: Thing
Outside (nebo též 1. Outside) je devatenácté studiové album anglického hudebníka Davida Bowieho. Vydáno bylo v září roku 1995 společností Virgin Records. Spolu s Bowiem jej produkovali Brian Eno a David Richards. Nahráno bylo ve studiích ve švýcarském Montreux a v New Yorku. V americké hitparádě Billboard 200 se umístilo na 21. příčce, zatímco v britské UK Albums Chart dosáhlo osmé.
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1. Outside ist das 19. Studioalbum von David Bowie, das am 25. September 1995 von Arista Records veröffentlicht wurde. Es ist ein Konzeptalbum mit dem Untertitel The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-cycle. Biographisch markiert es Bowies Wiederbegegnung mit Brian Eno, mit dem er in den 1970er Jahren unter anderem an seiner Berliner Trilogie gearbeitet hatte: den Alben Low (1977), “Heroes” (1977) und Lodger (1979). 1. Outside handelt von Menschen einer dystopischen Welt am Vorabend des 21. Jahrhunderts. Das Album brachte Bowie mit den Songs The Hearts Filthy Lesson, Strangers When We Meet und Hallo Spaceboy (remixed von den Pet Shop Boys) zurück in die Mainstream-Szene der Rockmusik.
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1. Outside (subtitulado como The Nathan Adler Diaries: A Hyper-cycle) es el decimonoveno álbum de estudio del músico británico David Bowie, lanzado el 25 de septiembre de 1995 por Arista Records. Este álbum significó la reunión de Bowie con Brian Eno, con quien había trabajado, entre otros, en su Trilogía de Berlín en la década de 1970. Outside se centra en los personajes de un mundo distópico en la víspera del siglo XXI. El álbum volvió a poner a Bowie en la escena principal de la música rock con sus singles "The Hearts Filthy Lesson", "Strangers When We Meet" y "Hallo Spaceboy" (remezclada por Pet Shop Boys).
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1. Outside est le vingtième album studio de David Bowie, sorti en 1995. Il marque les retrouvailles de Bowie avec Brian Eno après leur collaboration pour la trilogie berlinoise dans les années 1970. 1. Outside est un album-concept qui se veut la première partie d'un « hyper-cycle dramatique gothique non linéaire » en cinq parties, restée sans suite. La tournée de promotion de l'album, de septembre 1995 à janvier 1996, voit Bowie se produire avec Nine Inch Nails.
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『アウトサイド』（原題：1.OUTSIDE）は、イギリスのミュージシャンであるデヴィッド・ボウイの18枚目のアルバム。 1995年9月23日にアリスタ・レコードよりリリースされた。 1995年にリリースされた初回盤では日本盤のみボーナストラックとして20曲目に「ゲット・リアル」が収録されている。また、1996年5月22日には来日記念盤としてハロー・スペースボーイのシングルに未発表ライヴテイクを2曲加えたボーナスCDがカップリングされたスペシャルパッケージが発売された。また、2004年にコロムビア・レコードより再発売されており、その際に2枚組として14曲がボーナストラックとして収録されている。
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1.Outside (pełny tytuł: 1.Outside – The Nathan Adler Diaries: A Hyper Cycle) – 21 album studyjny brytyjskiego muzyka Davida Bowiego, wydany 26 września 1995 w muzyce roku przez Virgin Records. Ambitny, quasi-industrialny w stylu miał być pierwszym z serii pięciu albumów wydawanych co roku do końca millenium. Zapowiadane tytuły dwóch następnych albumów w serii brzmiały Contamination i Afrikaan. Ostatecznie Bowie zarzucił ten pomysł. Jest to czwarty album wyprodukowany przez Briana Eno. 1.Outside opowiada o detektywie Nathanie Adlerze, wynajętym przez rząd do zbadania serii morderstw popełnionych w wymyślny sposób.
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1.Outside är ett konceptalbum av David Bowie inspelat i , Montreux, Schweiz. Det släpptes den 26 september 1995. Albumet handlar om ett barnamord.Det var meningen att det 2004 skulle följts upp av albumet 2. Contamination, men det blev inte så då David Bowie i stort sett pensionerat sig efter en hjärtattack på scen.
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Outside (estilizado como 1. Outside) é um álbum conceitual originalmente lançado em 25 de setembro de 1995 por David Bowie e pela Virgin Records, sendo o décimo nono álbum de estúdio do cantor. O álbum reúne Bowie com Brian Eno, formando a dupla que trabalhou na célebre Trilogia de Berlim, no final dos anos 1970. Com o subtítulo "The Nathan Adler Diaries: A Hyper-cycle", Outside se centra nos personagens de um mundo distópico às vésperas do século XXI. O álbum colocou Bowie de volta à cena mainstream do rock com os singles "The Hearts Filthy Lesson", "Strangers When We Meet", e "Hallo Spaceboy" (remixado pelos Pet Shop Boys).
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Outside (stylised as 1. Outside and subtitled The Nathan Adler Diaries: A Hyper-cycle) is the 20th studio album by English musician David Bowie. It was released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. It reunited Bowie and musician Brian Eno following the late 1970s Berlin Trilogy. The two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recording began in March 1994 in Switzerland and continued on and off until November. During the experimental sessions, Bowie conceived a world where "art crimes", such as murder, pervade society, resulting in the Leon project, which initially faced resistance from labels due to its uncommercial nature. After the proje
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1.Outside è un album discografico del musicista britannico David Bowie pubblicato nel 1995 dalla Sony BMG in Gran Bretagna e dalla Virgin America negli Stati Uniti. Si tratta del ventesimo album in studio del cantante, definito dalla critica una "rischiosa" ma sostanzialmente riuscita incursione nell'industrial art-rock e nel trip hop/techno. Il disco contiene la lungamente anticipata riunione artistica tra Bowie e Brian Eno, dopo i fasti degli anni settanta relativi alla celebre "trilogia di Berlino". Sottotitolato The Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle, Outside tratta il tema dell'omicidio rituale come forma d'arte in un futuro distopico collocato all'alba del XXI secolo. L'album riportò Bowie sulla ribalta artistica grazie al successo di singoli
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《Outside》(《1. Outside》로 스타일링되고 《The Nathan Adler Diaries: A Hyper-cycle》라는 부제가 붙었다)는 영국의 음악가 데이비드 보위의 스물 번째 스튜디오 음반이다. 1995년 9월 25일 미국의 버진 레코드와 다른 지역의 아리스타 레코드, BMG, RCA 레코드를 통해 발매되었다. 1970년대 후반 베를린 3부작 이후 보위와 음악가 브라이언 이노를 재결합시켰다. 두 사람은 다양한 아웃사이더와 퍼포먼스 아티스트와 같은 주류에서 벗어난 개념에서 영감을 받았다. 녹음은 1994년 3월 스위스에서 시작되어 11월까지 계속되었다. 실험 세션 동안 보위는 살인과 같은 "예술 범죄"가 사회에 만연하는 세계를 구상했고, 그 결과 《Leon》 프로젝트는 처음에는 비상업적인 성격 때문에 레이블의 저항에 직면했다. 1995년 초 뉴욕에서는 《Q》 잡지에 보위가 일기를 쓴 후 더 많은 상업 자료를 기록하고 《Leon》 개념을 수정하기 위해 추가 세션이 진행되었다.
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Outside (soms geschreven als 1. Outside) is het twintigste studioalbum van de Britse muzikant David Bowie, uitgebracht in 1995. Voor het album keerde producer Brian Eno terug, met wie Bowie voor het eerst sinds Lodger uit 1979 samenwerkte. Met de subtitel "The Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle" focust het album zich op een dystopische wereld op de vooravond van de 21e eeuw. De nummers worden allemaal ingezongen door verschillende door Bowie gecreëerde karakters die zich allemaal uitspreken over het leven in deze wereld. Op de albumcover staat een zelfportret van Bowie, dat hij maakte in 1995.
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1.Outside — девятнадцатый студийный и третий концептуальный альбом Дэвида Боуи, выпущенный 25 сентября 1995 года, в сотрудничестве с Брайаном Ино. Предполагалось, что он будет первым в серии из пяти альбомов-рассказов об искусстве и убийстве. Боуи планировал выпустить по одному альбому в год в период с 1995 по 1999. Однако идея не осуществилась, и «1.Outside» так и остался первым и единственным альбомом серии. Альбом содержит подзаголовок: «Ритуальное Арт-Убийство Малышки Грэйс Блю: Нелинейный Готический Драматический Гипер-цикл» (англ. «the Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle»); концепция произведения концентрируется вокруг персонажей мрачного апокалиптического мира, действия сюжета происходят накануне XXI-века. «1.Outside» вернул Боуи обратно на во
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アウトサイド
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A painting of a man through brush strokes. "David Bowie" appears in black text and "1. Outside" in red, both in the upper left corner.
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David Bowie
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outsidebowie.jpg
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"We Prick You" combines elements of jungle and drum and bass music, both of which Bowie fully embraced for his next studio album, Earthling .
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An audio sample, displaying musical textures that are present throughout Outside, including elements of electronica. It sets the stage for the entire album in relation to both its music and overall concept.
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Paddy
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Algeria Touchshriek
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Baby Grace Blue
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Detective Nathan Adler
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Leon Blank
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Members of the Court of Justice
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Ramona A. Stone and her acolytes
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The Artist/Minotaur
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The residents of Oxford Town, New Jersey
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prologue
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Sung from the perspective of
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David Bowie We Prick You audio sample.ogg
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David Bowie – Outside song sample.ogg
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Japanese CD bonus track
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Outside track listing
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--09-11
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Bowie, Eno
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Bowie
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Bowie, Gabrels
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Bowie, Eno, Gabrels
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Bowie, Eno, Gabrels, Garson, Kızılçay, Campbell
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Outside is often brilliant and inspired, daringly experimental, and on occasion frustratingly close to genius but falling slightly short. It is, arguably, more than any other album in [Bowie's] catalogue, completely in love with ideas and throwing itself at them with conviction and abandon. Bowie liked to think of himself as a curator, picking through culture for interesting notions and trying them on. On Outside, he does this with greater eagerness and relish than perhaps ever before or since.
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With 1. Outside, placing the eerie environment of a Diamond Dogs city now in the nineties gives it an entirely different spin. It was important for this town, this locale, to have a populace, a number of characters. I tried to diversify these really eccentric types as much as possible [...] The narrative and the stories are not the content – the content is the spaces in between the linear bits. The queasy, strange textures.
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[Brian and I] realised we were both interested in nibbling at the periphery of the mainstream rather than jumping in. We sent each other long manifestos about what was missing in music and what we should be doing. We decided to really experiment and go into the studio with not even a gnat of an idea.
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March 1994 – February 1995
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Italy
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United Kingdom
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1995-09-25
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1995
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Los Angeles Times
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Rolling Stone
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Blender
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Encyclopedia of Popular Music
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Entertainment Weekly
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Pitchfork
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Q
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Spin
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The Rolling Stone Album Guide
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—Adam Trainer, PopMatters, 2020
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—David Bowie on reuniting with Eno, 1995
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—David Bowie explaining the Outside characters and setting, 1995
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* Mountain
* Westside
* The Hit Factory
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Outside
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The Motel
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No Control
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A Small Plot of Land
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I Have Not Been to Oxford Town
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Leon Takes Us Outside
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Segue – Nathan Adler
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The Voyeur of Utter Destruction
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Thru' These Architects Eyes
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We Prick You
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Wishful Beginnings
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"Outside"
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"We Prick You"
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Outside (nebo též 1. Outside) je devatenácté studiové album anglického hudebníka Davida Bowieho. Vydáno bylo v září roku 1995 společností Virgin Records. Spolu s Bowiem jej produkovali Brian Eno a David Richards. Nahráno bylo ve studiích ve švýcarském Montreux a v New Yorku. V americké hitparádě Billboard 200 se umístilo na 21. příčce, zatímco v britské UK Albums Chart dosáhlo osmé.
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1. Outside ist das 19. Studioalbum von David Bowie, das am 25. September 1995 von Arista Records veröffentlicht wurde. Es ist ein Konzeptalbum mit dem Untertitel The Diary of Nathan Adler or The Art-Ritual Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-cycle. Biographisch markiert es Bowies Wiederbegegnung mit Brian Eno, mit dem er in den 1970er Jahren unter anderem an seiner Berliner Trilogie gearbeitet hatte: den Alben Low (1977), “Heroes” (1977) und Lodger (1979). 1. Outside handelt von Menschen einer dystopischen Welt am Vorabend des 21. Jahrhunderts. Das Album brachte Bowie mit den Songs The Hearts Filthy Lesson, Strangers When We Meet und Hallo Spaceboy (remixed von den Pet Shop Boys) zurück in die Mainstream-Szene der Rockmusik.
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1. Outside (subtitulado como The Nathan Adler Diaries: A Hyper-cycle) es el decimonoveno álbum de estudio del músico británico David Bowie, lanzado el 25 de septiembre de 1995 por Arista Records. Este álbum significó la reunión de Bowie con Brian Eno, con quien había trabajado, entre otros, en su Trilogía de Berlín en la década de 1970. Outside se centra en los personajes de un mundo distópico en la víspera del siglo XXI. El álbum volvió a poner a Bowie en la escena principal de la música rock con sus singles "The Hearts Filthy Lesson", "Strangers When We Meet" y "Hallo Spaceboy" (remezclada por Pet Shop Boys).
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Outside (stylised as 1. Outside and subtitled The Nathan Adler Diaries: A Hyper-cycle) is the 20th studio album by English musician David Bowie. It was released on 25 September 1995 through Virgin Records in the United States and Arista Records, BMG and RCA Records in other territories. It reunited Bowie and musician Brian Eno following the late 1970s Berlin Trilogy. The two were inspired by concepts "outside" the mainstream, such as various outsider and performance artists. Recording began in March 1994 in Switzerland and continued on and off until November. During the experimental sessions, Bowie conceived a world where "art crimes", such as murder, pervade society, resulting in the Leon project, which initially faced resistance from labels due to its uncommercial nature. After the project was bootlegged, additional sessions were conducted in early 1995 in New York City to record more commercial material and revise the Leon concept after Bowie wrote a diary for Q magazine. Influenced by the television series Twin Peaks, the story of Outside concerns the residents of the fictional Oxford Town, New Jersey and is presented in a nonlinear narrative. It follows detective Nathan Adler as he investigates the murder of a 14-year-old girl. Individual tracks show perspectives of specific characters, while spoken word between-song segues convey more ideals from the characters. The story and Adler's diary entries were presented in the album's CD booklet. Musically, Outside displays a wide variety of styles, including art rock, industrial rock, jazz, electronica and ambient. It also contains elements found on Bowie's previous works. The album cover is a painting made by Bowie himself. The album was preceded by the lead single "The Hearts Filthy Lesson", which performed poorly on the US and UK charts. Released at the height of Britpop in the UK, Outside initially received mixed reviews from critics. While most praised the music, others found the concept pretentious and hard to follow. Nevertheless, many considered it Bowie's finest record since 1980's Scary Monsters. Outside peaked at number 8 in the UK and number 21 in the US, partially due to the acknowledgement of Bowie's influence by several American artists. Two more singles accompanied the album, "Strangers When We Meet" and a remix of "Hallo Spaceboy" featuring Pet Shop Boys, both of which performed well in the UK. Bowie supported the album through the Outside Tour, but was criticised for not playing older hits. The opening act in America were Nine Inch Nails, which led to multiple collaborations between frontman Trent Reznor and Bowie in subsequent years. Multiple planned sequels to Outside never came to fruition, leaving the album's story on a cliffhanger. Instead, Bowie used musical ideas from the album and tour for his next record, Earthling (1997). Retrospectively, Outside has received more positive assessments, with most continuing to praise the music but criticising the story and length. The album was reissued in 2003 and remastered in 2021 as part of the box set Brilliant Adventure (1992–2001).
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1. Outside est le vingtième album studio de David Bowie, sorti en 1995. Il marque les retrouvailles de Bowie avec Brian Eno après leur collaboration pour la trilogie berlinoise dans les années 1970. 1. Outside est un album-concept qui se veut la première partie d'un « hyper-cycle dramatique gothique non linéaire » en cinq parties, restée sans suite. La tournée de promotion de l'album, de septembre 1995 à janvier 1996, voit Bowie se produire avec Nine Inch Nails.
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1.Outside è un album discografico del musicista britannico David Bowie pubblicato nel 1995 dalla Sony BMG in Gran Bretagna e dalla Virgin America negli Stati Uniti. Si tratta del ventesimo album in studio del cantante, definito dalla critica una "rischiosa" ma sostanzialmente riuscita incursione nell'industrial art-rock e nel trip hop/techno. Il disco contiene la lungamente anticipata riunione artistica tra Bowie e Brian Eno, dopo i fasti degli anni settanta relativi alla celebre "trilogia di Berlino". Sottotitolato The Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle, Outside tratta il tema dell'omicidio rituale come forma d'arte in un futuro distopico collocato all'alba del XXI secolo. L'album riportò Bowie sulla ribalta artistica grazie al successo di singoli quali The Hearts Filthy Lesson, Strangers When We Meet, e Hallo Spaceboy (nota anche nella versione remixata dai Pet Shop Boys).
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Outside (soms geschreven als 1. Outside) is het twintigste studioalbum van de Britse muzikant David Bowie, uitgebracht in 1995. Voor het album keerde producer Brian Eno terug, met wie Bowie voor het eerst sinds Lodger uit 1979 samenwerkte. Met de subtitel "The Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle" focust het album zich op een dystopische wereld op de vooravond van de 21e eeuw. De nummers worden allemaal ingezongen door verschillende door Bowie gecreëerde karakters die zich allemaal uitspreken over het leven in deze wereld. Op de albumcover staat een zelfportret van Bowie, dat hij maakte in 1995. In de jaren die volgden na het uitbrengen van het album sprak Bowie regelmatig over een vervolg op dit album, waarbij hij zou vertellen hoe het millennium zou eindigen. Een album met de titel Contamination stond gepland voor het voorjaar van 1997, maar werd nooit uitgebracht. Ook was er een album Inside gepland, waarin de making-of van dit album beschreven werd. In het jaar voor Bowie's overlijden op 10 januari 2016 sprak hij met Brian Eno over een nieuwe versie van het album, aangezien het enigszins vergeten was. Door de dood van Bowie werd dit nooit gerealiseerd. Drie nummers van het album kwamen ook uit op single. "The Hearts Filthy Lesson" bereikte de 35e plaats in Engeland. Het nummer "Strangers When We Meet" vormde een dubbele A-kant met een liveversie van het klassieke Bowie-nummer "The Man Who Sold the World" en bereikte positie 39. "Hallo Spaceboy" werd echter de grootste hit van het album nadat er een remix werd gemaakt door de Pet Shop Boys, wat de 24e plaats bereikte in Nederland en de twaalfde plaats in Engeland.
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《Outside》(《1. Outside》로 스타일링되고 《The Nathan Adler Diaries: A Hyper-cycle》라는 부제가 붙었다)는 영국의 음악가 데이비드 보위의 스물 번째 스튜디오 음반이다. 1995년 9월 25일 미국의 버진 레코드와 다른 지역의 아리스타 레코드, BMG, RCA 레코드를 통해 발매되었다. 1970년대 후반 베를린 3부작 이후 보위와 음악가 브라이언 이노를 재결합시켰다. 두 사람은 다양한 아웃사이더와 퍼포먼스 아티스트와 같은 주류에서 벗어난 개념에서 영감을 받았다. 녹음은 1994년 3월 스위스에서 시작되어 11월까지 계속되었다. 실험 세션 동안 보위는 살인과 같은 "예술 범죄"가 사회에 만연하는 세계를 구상했고, 그 결과 《Leon》 프로젝트는 처음에는 비상업적인 성격 때문에 레이블의 저항에 직면했다. 1995년 초 뉴욕에서는 《Q》 잡지에 보위가 일기를 쓴 후 더 많은 상업 자료를 기록하고 《Leon》 개념을 수정하기 위해 추가 세션이 진행되었다. 텔레비전 시리즈 《트윈 픽스》의 영향을 받은 《Outside》의 이야기는 뉴저지주 옥스퍼드 타운의 주민들에 관한 이야기이며 비선형적인 서술로 표현된다. 그것은 형사 네이선 애들러가 14살 소녀의 살인을 조사하는 것을 따라간다. 개별 트랙은 특정 캐릭터의 관점을 보여주는 반면, 노래 사이의 구어는 캐릭터들로부터 더 많은 이상을 전달한다. 이 이야기와 애들러의 일기는 이 음반의 CD 책자에 소개되었다. 음악적으로 《Outside》는 아트 록, 인더스트리얼 록, 재즈, 일렉트로니카, 앰비언트 등 다양한 스타일을 보여준다. 그것은 또한 보위의 이전 작품에서 발견된 요소들을 포함하고 있다. 음반 커버는 보위가 직접 만든 그림이다. 이 음반에 앞서 리드 싱글 〈〉이 발매되었으며, 미국과 영국 차트에서 저조한 성적을 거두었다. 영국에서 브릿팝이 한창일 때 발매된 《Outside》는 처음에는 비평가들로부터 엇갈린 평가를 받았다. 대부분의 사람들이 그 음악을 칭찬했지만, 다른 사람들은 그 개념이 가식적이고 따르기 어렵다는 것을 알았다. 그럼에도 불구하고, 많은 사람들은 이 음반을 1980년 《Scary Monsters》 이후 보위의 가장 훌륭한 음반으로 여겼다. 《Outside》는 영국에서 8위, 미국에서 21위로 정점을 찍었다. 두 개의 싱글이 음반 〈〉과 펫 숍 보이스가 피처링한 〈〉의 리믹스에 함께 참여했는데, 두 곡 모두 영국에서 좋은 성적을 거두었다. 보위는 를 통해 이 음반을 지원했지만, 더 오래된 히트곡을 연주하지 않았다는 이유로 비판을 받았다. 미국에서의 오프닝은 나인 인치 네일스였으며, 이후 몇 년 동안 프런트맨 트렌트 레즈너와 보위 사이에 다수의 협업을 이끌어냈다. 《Outside》로 계획된 여러 속편은 결실이 되지 않아 음반의 스토리를 벼랑 끝에 내몰았다. 대신에 보위는 그의 다음 음반인 《Earthling》 (1997년)을 위해 음반과 투어에서 나온 음악적 아이디어를 사용했다. 돌이켜보면, 《Outside》는 더 긍정적인 평가를 받았는데, 대부분은 계속해서 음악을 칭찬하지만 스토리와 길이를 비판한다. 이 음반은 2003년에 재발매되었고 박스 세트인 《Brilliant Adventure (1992–2001)》의 일부로 2021년에 리마스터드되었다.
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『アウトサイド』（原題：1.OUTSIDE）は、イギリスのミュージシャンであるデヴィッド・ボウイの18枚目のアルバム。 1995年9月23日にアリスタ・レコードよりリリースされた。 1995年にリリースされた初回盤では日本盤のみボーナストラックとして20曲目に「ゲット・リアル」が収録されている。また、1996年5月22日には来日記念盤としてハロー・スペースボーイのシングルに未発表ライヴテイクを2曲加えたボーナスCDがカップリングされたスペシャルパッケージが発売された。また、2004年にコロムビア・レコードより再発売されており、その際に2枚組として14曲がボーナストラックとして収録されている。
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1.Outside (pełny tytuł: 1.Outside – The Nathan Adler Diaries: A Hyper Cycle) – 21 album studyjny brytyjskiego muzyka Davida Bowiego, wydany 26 września 1995 w muzyce roku przez Virgin Records. Ambitny, quasi-industrialny w stylu miał być pierwszym z serii pięciu albumów wydawanych co roku do końca millenium. Zapowiadane tytuły dwóch następnych albumów w serii brzmiały Contamination i Afrikaan. Ostatecznie Bowie zarzucił ten pomysł. Jest to czwarty album wyprodukowany przez Briana Eno. 1.Outside opowiada o detektywie Nathanie Adlerze, wynajętym przez rząd do zbadania serii morderstw popełnionych w wymyślny sposób.
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1.Outside — девятнадцатый студийный и третий концептуальный альбом Дэвида Боуи, выпущенный 25 сентября 1995 года, в сотрудничестве с Брайаном Ино. Предполагалось, что он будет первым в серии из пяти альбомов-рассказов об искусстве и убийстве. Боуи планировал выпустить по одному альбому в год в период с 1995 по 1999. Однако идея не осуществилась, и «1.Outside» так и остался первым и единственным альбомом серии. Альбом содержит подзаголовок: «Ритуальное Арт-Убийство Малышки Грэйс Блю: Нелинейный Готический Драматический Гипер-цикл» (англ. «the Ritual Art-Murder of Baby Grace Blue: A non-linear Gothic Drama Hyper-Cycle»); концепция произведения концентрируется вокруг персонажей мрачного апокалиптического мира, действия сюжета происходят накануне XXI-века. «1.Outside» вернул Боуи обратно на волну мейнстримового рока, поддерживаемый хит-синглами «», «» и «Hallo Spaceboy» (в частности, ремиксом Pet Shop Boys).
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1.Outside är ett konceptalbum av David Bowie inspelat i , Montreux, Schweiz. Det släpptes den 26 september 1995. Albumet handlar om ett barnamord.Det var meningen att det 2004 skulle följts upp av albumet 2. Contamination, men det blev inte så då David Bowie i stort sett pensionerat sig efter en hjärtattack på scen.
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Outside (estilizado como 1. Outside) é um álbum conceitual originalmente lançado em 25 de setembro de 1995 por David Bowie e pela Virgin Records, sendo o décimo nono álbum de estúdio do cantor. O álbum reúne Bowie com Brian Eno, formando a dupla que trabalhou na célebre Trilogia de Berlim, no final dos anos 1970. Com o subtítulo "The Nathan Adler Diaries: A Hyper-cycle", Outside se centra nos personagens de um mundo distópico às vésperas do século XXI. O álbum colocou Bowie de volta à cena mainstream do rock com os singles "The Hearts Filthy Lesson", "Strangers When We Meet", e "Hallo Spaceboy" (remixado pelos Pet Shop Boys).
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92535
