Orthophonic Joy
http://dbpedia.org/resource/Orthophonic_Joy an entity of type: Thing
Orthophonic Joy: The 1927 Bristol Sessions Revisited is a double-CD produced by Grammy Award-winner Carl Jackson, a Bluegrass and country music artist, as a benefit for the Birthplace of Country Music Museum in Bristol, Tennessee. The project was conceived by executive producer , a Bristol native who was well acquainted with the story of the historic 1927 Bristol Sessions and imagined a modern tribute to the sessions that have been dubbed the "big bang" of country music. The project includes 37 tracks - 18 songs and 19 spoken word tracks that provide context. WSM disc jockey and country music historian Eddie Stubbs narrates the project, and a who's who of country artists recorded the new versions of the old classics. Jackson recorded the album between 2013 and 2015. It was released by Sony
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Orthophonic Joy
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Orthophonic Joy: The 1927 Bristol Sessions Revisited
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Various Artists
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yes
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Double-CD album includes booklet of liner notes with photos and descriptions. Designed by Status Serigraph, Knoxville, Tennessee.
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File:Orthophonic_Joy.jpg
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Nashville, 2013-2015
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2015-05-12
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Album
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Orthophonic Joy: The 1927 Bristol Sessions Revisited is a double-CD produced by Grammy Award-winner Carl Jackson, a Bluegrass and country music artist, as a benefit for the Birthplace of Country Music Museum in Bristol, Tennessee. The project was conceived by executive producer , a Bristol native who was well acquainted with the story of the historic 1927 Bristol Sessions and imagined a modern tribute to the sessions that have been dubbed the "big bang" of country music. The project includes 37 tracks - 18 songs and 19 spoken word tracks that provide context. WSM disc jockey and country music historian Eddie Stubbs narrates the project, and a who's who of country artists recorded the new versions of the old classics. Jackson recorded the album between 2013 and 2015. It was released by Sony Legacy Recordings on May 12, 2015. The purpose of the 1927 sessions was to record new talent for a public that was buying the new Orthophonic Victrola in record numbers. It launched the recording careers of Jimmie Rodgers and The Carter Family. Ernest Stoneman, already a popular recording artist, convinced Victor executive Ralph Peer to set up a temporary recording studio in Bristol. In a similar vein, the producers sponsored a talent contest for the Orthophonic Joy project. , a 20-year-old banjo player, won the competition with his rendition of "Darling Cora," which he ultimately recorded for the project.
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12941