Ogoh-ogoh
http://dbpedia.org/resource/Ogoh-ogoh an entity of type: Artwork
Gli ogoh-ogoh sono degli enormi pupazzi tipici dell'isola indonesiana di Bali. Gli ogoh-ogoh raffigurano i demoni bhuta-kala della mitologia indo-balinese. Vengono costruiti per la parata ngrupuk in onore degli spiriti malefici che si tiene durante la vigilia, il pengerupukan, del Capodanno balinese, il nyepi.
rdf:langString
Ogoh-ogoh are statues built for the Ngrupuk parade, which takes place on the eve of Nyepi day in Bali, Indonesia. Ogoh-ogoh normally take the form of mythological beings, mostly demons. As with many creative endeavours based on Balinese Hinduism, the creation of Ogoh-ogoh represents spiritual aims inspired by Hindu philosophy. The Ogoh-ogoh is a very recent addition to the Nyepi ceremonies, first appearing in Denpasar in the early 1980s. At that time, they were carefully monitored for any criticism of the Suharto regime.
rdf:langString
Les Ogoh-ogoh (ou Ogoh-ogog) sont des statues destinées à être exhibées lors de processions organisées la veille du jour du Nyepi (nouvel an) sur l'île de Bali (Indonésie). Les Ogoh-ogoh ont la forme d'êtres mythologiques, pour la plupart des démons. Lors des préparatifs, les banjar (association communautaire coutumière d'un quartier ou d'un hameau à Bali) rivalisent de créativité fondée sur l'hindouisme balinais, pour concevoir ces monstres géants de papier mâché peint. Selon les enseignements hindous, les Ogoh-ogoh personnifient le Bhuta-Kala, c'est-à-dire la nature et son pouvoir destructif.Le but de ces défilés est de purifier l'environnement naturel de tout polluant spirituel émis par les activités des êtres vivants (surtout celle des humains).
rdf:langString
Ogoh-ogoh adalah karya seni patung dalam yang menggambarkan kepribadian Bhuta Kala. Dalam ajaran Hindu Dharma, Bhuta Kala merepresentasikan kekuatan (Bhu) alam semesta dan waktu (Kala) yang tak terukur dan tak terbantahkan. Dalam perwujudan patung yang dimaksud, Bhuta Kala digambarkan sebagai sosok yang besar dan menakutkan; biasanya dalam wujud Raksasa.
rdf:langString
Ого́-ого́ (бал. ogoh-ogoh) — это скульптуры из папье-маше, как правило намного выше человеческого роста, изготавливаемые для шествия накануне дня Ньепи на Бали в Индонезии. Поскольку ого-ого не являются частью церемонии, их проносят шествием после завершения основной церемонии в сопровождении ритма балийского гамелана. Ого-ого обычно имеют форму мифологических существ, в основном злых духов как олицетворение пороков, которые необходимо держать подальше от жизни людей. Участники шествия несут ого-ого колонной, иногда встряхивая их, чтобы казалось, что те движутся или танцуют.
rdf:langString
rdf:langString
Ogoh-ogoh
rdf:langString
Ogoh-Ogoh
rdf:langString
Ogoh-ogoh
rdf:langString
Ogoh-ogoh
rdf:langString
Ого-ого
xsd:integer
19023955
xsd:integer
1114998405
rdf:langString
Ogoh-ogoh are statues built for the Ngrupuk parade, which takes place on the eve of Nyepi day in Bali, Indonesia. Ogoh-ogoh normally take the form of mythological beings, mostly demons. As with many creative endeavours based on Balinese Hinduism, the creation of Ogoh-ogoh represents spiritual aims inspired by Hindu philosophy. The main purpose of the making of Ogoh-ogoh is the purification of the natural environment of any spiritual pollutants emitted from the activities of living beings (especially humans). The forms of Ogoh-ogoh represent the Bhuta-Kala (Bhuta: eternal energy, Kala: eternal time), according to Hindu teachings. The imperceptible potentials of nature cannot be thoroughly explored by anyone. Philosophically, civilized men are required to manage the natural resources without damaging the environment itself. Aside from being the symbol of Bhuta-Kala, Ogoh-ogoh is considered a symbol of modes of nature that form the malicious characters of living beings. Each village usually build one Ogoh-ogoh mainly built by each village's Seka Truna Truni (Balinese village's youth organization), but often some smaller ogoh-ogoh also built by groups of children around the village. Some artist also usually build one. After being paraded on a convoy around the town, finally it is burnt to ashes in a cemetery as a symbol of self-purification. An Ogoh-ogoh is normally standing on a pad built of timber planks and bamboos. The pad is designed to sustain the Ogoh-ogoh while it is being lifted and carried around the village or the town square. There are normally eight or more men carrying the Ogoh-ogoh on their shoulders. This procession is accompanied by orchestral music performed by the youth. The use of flares is also a main part of the parade. During the procession, the Ogoh-ogoh is rotated counter-clockwise three times. This act is done at every T-junction and crossroad of the village. Rotating the effigies during the cremational parade and the eve of Nyepi represents the contact of the bodies with the spirits. It is intended to bewilder the evil spirits so that they go away and cease harming human beings. The Ogoh-ogoh is a very recent addition to the Nyepi ceremonies, first appearing in Denpasar in the early 1980s. At that time, they were carefully monitored for any criticism of the Suharto regime.
rdf:langString
Les Ogoh-ogoh (ou Ogoh-ogog) sont des statues destinées à être exhibées lors de processions organisées la veille du jour du Nyepi (nouvel an) sur l'île de Bali (Indonésie). Les Ogoh-ogoh ont la forme d'êtres mythologiques, pour la plupart des démons. Lors des préparatifs, les banjar (association communautaire coutumière d'un quartier ou d'un hameau à Bali) rivalisent de créativité fondée sur l'hindouisme balinais, pour concevoir ces monstres géants de papier mâché peint. Selon les enseignements hindous, les Ogoh-ogoh personnifient le Bhuta-Kala, c'est-à-dire la nature et son pouvoir destructif.Le but de ces défilés est de purifier l'environnement naturel de tout polluant spirituel émis par les activités des êtres vivants (surtout celle des humains). Dans l'après-midi, des offrandes sont déposées aux principaux carrefours routiers pour attirer les esprits malins. À la nuit tombante, les Ogoh-ogoh montés sur des supports en bambou sont promenés à travers villes et villages, le plus bruyamment possible avec l'aide toutes sortes d'accessoires (casseroles, marmites, gongs, etc.). À l'issue des défilés, les monstres finissent en principe brûlés.
rdf:langString
Ogoh-ogoh adalah karya seni patung dalam yang menggambarkan kepribadian Bhuta Kala. Dalam ajaran Hindu Dharma, Bhuta Kala merepresentasikan kekuatan (Bhu) alam semesta dan waktu (Kala) yang tak terukur dan tak terbantahkan. Dalam perwujudan patung yang dimaksud, Bhuta Kala digambarkan sebagai sosok yang besar dan menakutkan; biasanya dalam wujud Raksasa. Selain wujud Raksasa, Ogoh-ogoh sering pula digambarkan dalam wujud makhluk-makhluk yang hidup di Mayapada, Syurga dan Naraka, seperti: naga, gajah,, Widyadari, bahkan Dalam perkembangannya, ada yang dibuat menyerupai orang-orang terkenal, seperti para pemimpin dunia, artis atau tokoh agama bahkan penjahat. Terkait hal ini, ada pula yang berbau politik atau SARA walaupun sebetulnya hal ini menyimpang dari prinsip dasar Ogoh-ogoh. Contohnya Ogoh-ogoh yang menggambarkan seorang teroris.
rdf:langString
Gli ogoh-ogoh sono degli enormi pupazzi tipici dell'isola indonesiana di Bali. Gli ogoh-ogoh raffigurano i demoni bhuta-kala della mitologia indo-balinese. Vengono costruiti per la parata ngrupuk in onore degli spiriti malefici che si tiene durante la vigilia, il pengerupukan, del Capodanno balinese, il nyepi.
rdf:langString
Ого́-ого́ (бал. ogoh-ogoh) — это скульптуры из папье-маше, как правило намного выше человеческого роста, изготавливаемые для шествия накануне дня Ньепи на Бали в Индонезии. Поскольку ого-ого не являются частью церемонии, их проносят шествием после завершения основной церемонии в сопровождении ритма балийского гамелана. Ого-ого обычно имеют форму мифологических существ, в основном злых духов как олицетворение пороков, которые необходимо держать подальше от жизни людей. Участники шествия несут ого-ого колонной, иногда встряхивая их, чтобы казалось, что те движутся или танцуют. Ого-ого совсем недавно стали частью подготовки ко дню Ньепи. Впервые они появивились в Денпасаре в начале 1980-х годов.
xsd:nonNegativeInteger
3690