Now (The Tubes album)
http://dbpedia.org/resource/Now_(The_Tubes_album) an entity of type: Thing
Now is the third studio album released by The Tubes. It was produced by John Anthony. Fed up with constant meddling from Bud Scoppa and Don Wood under the direction of Bill Spooner including surreptitiously remixing a track when Anthony was not at the studio, Anthony was advised to leave the project by Jerry Moss. The head of A&M A&R Kip Cohen said that they took advantage of Anthony and believed that they overran the budget to increase their union fees. Bill Spooner took over and completed the project with the help of the engineer Wood and Scoppa.
rdf:langString
rdf:langString
Now (The Tubes album)
rdf:langString
Now
xsd:integer
9733422
xsd:integer
1107929125
rdf:langString
Now .jpg
<second>
2529.0
xsd:integer
1978
xsd:integer
1976
rdf:langString
Winter of 1976
rdf:langString
May 1977
rdf:langString
rdf:langString
Record Plant
rdf:langString
Funky Features
rdf:langString
Now is the third studio album released by The Tubes. It was produced by John Anthony. Fed up with constant meddling from Bud Scoppa and Don Wood under the direction of Bill Spooner including surreptitiously remixing a track when Anthony was not at the studio, Anthony was advised to leave the project by Jerry Moss. The head of A&M A&R Kip Cohen said that they took advantage of Anthony and believed that they overran the budget to increase their union fees. Bill Spooner took over and completed the project with the help of the engineer Wood and Scoppa. Now includes a cover version of Captain Beefheart's "My Head Is My Only House Unless It Rains" and Captain Beefheart also played saxophone on "Cathy's Clone". The project was intended to be a double album but delays led to cutting several songs, including a version of Gene Pitney's "Town Without Pity" complete with horn arrangement by the Bay-area comedian/musician, Dick Bright. The cover of Now was drawn by The Tubes' drummer, Prairie Prince, entitled "Tubes Descending a Staircase", and was inspired by a similar drawing in Time magazine of the Ramones. In an A&M leaflet, they described the album as "This outrageous and zany band have developed musically and visually since their inception in San Francisco and their previous albums". Anthony believes in retrospect that he should not have tried to be "one of the boys" with this band but remains proud of his idea to have the band playing again live in the studio liked they used to do in the Bay Area bars.
xsd:nonNegativeInteger
4745