Nica's Dream
http://dbpedia.org/resource/Nica's_Dream an entity of type: Abstraction100002137
Nica’s Dream ist eine Jazzkomposition von Horace Silver aus dem Jahr 1954. Nica’s Dream hat 64 Takte in der Form AABA in mäßig schnellem Tempo. Es ist eine der bekanntesten Kompositionen Silvers und einer der Klassiker des Hardbop. Silver verstand den Titel als Reverenz an die Freundin und Mäzenin der damaligen Jazzszene, Pannonica de Koenigswarter, genannt Nica. Außer den zahlreichen Einspielungen von Horace Silver wurde Nica’s Dream auch von Art Blakey, Curtis Counce, Blue Mitchell, Kenny Burrell, Joe Pass, Mel Tormé und Phil Woods aufgenommen.
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"Nica's Dream" is a jazz standard composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th chords. Its first studio recording by Silver was on the Horace-Scope album. A vocal version was first recorded by Feather in 1983, and released the following year on the album Zanzibar.
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Nica’s Dream
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Nica's Dream
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Nica’s Dream ist eine Jazzkomposition von Horace Silver aus dem Jahr 1954. Nica’s Dream hat 64 Takte in der Form AABA in mäßig schnellem Tempo. Es ist eine der bekanntesten Kompositionen Silvers und einer der Klassiker des Hardbop. Silver verstand den Titel als Reverenz an die Freundin und Mäzenin der damaligen Jazzszene, Pannonica de Koenigswarter, genannt Nica. Außer den zahlreichen Einspielungen von Horace Silver wurde Nica’s Dream auch von Art Blakey, Curtis Counce, Blue Mitchell, Kenny Burrell, Joe Pass, Mel Tormé und Phil Woods aufgenommen.
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"Nica's Dream" is a jazz standard composed by Horace Silver in 1954. It is one of many songs written in tribute to jazz patroness Pannonica de Koenigswarter. The song was first recorded by the Jazz Messengers in 1956, and has since been recorded by many other artists. It features jazz melodic minor harmony with prominent minor-major 7th chords. Its first studio recording by Silver was on the Horace-Scope album. Thomas Owens describes the composition – "The trumpet melody, one of the great themes in jazz literature, is a 64-measure song in aaba form. The accompaniment for the a sections is in a Latin style based on [...] one of Silver's favorite patterns. In the bridge the accompaniment alternates between backbeat chordal punctuations and four-beat swing. During the solos the rhythm section maintains the same accompanimental textures, which both clarify the form and maintain the theme's original moods and textures." A vocal version was first recorded by Feather in 1983, and released the following year on the album Zanzibar.
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2270