Nervous Gender

http://dbpedia.org/resource/Nervous_Gender an entity of type: Thing

Nervous Gender is an American punk rock electronic band formed in Los Angeles in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. Their use of heavily distorted keyboards and synthesizers made them, along with The Screamers, one of the original innovators of what is today called "electropunk", although they could equally be considered an early industrial group. The group was confrontational and experimental. rdf:langString
rdf:langString Nervous Gender
rdf:langString Nervous Gender
rdf:langString Nervous Gender
rdf:langString Music from Hell
xsd:integer 364146
xsd:integer 1111517633
rdf:langString Nervous Gender
rdf:langString yes
rdf:langString * Tammy Fraser * Michael Ochoa * Edward Stapleton * Joe Zinnato
rdf:langString Sample of the song "Miscarriage" from the Live at Target compilation
rdf:langString NGMiscarriage.ogg
rdf:langString no
rdf:langString Los Angeles, California, U.S.
rdf:langString * Gerardo Valazquez * Phranc * Don Bolles * Paul Roessler * Bill Cline * Sven Pfeiffer * Bruce Moreland * Marc Moreland * Chas Grey * Glenn Daughtery * Ricky "The Spaniard" Sepulveda * John Hawk
xsd:integer 1981
rdf:langString "Miscarriage"
rdf:langString studio
xsd:integer 1978
xsd:integer 1990
xsd:integer 2007
rdf:langString
rdf:langString Nervous Gender is an American punk rock electronic band formed in Los Angeles in 1978 by Gerardo Velazquez, Edward Stapleton, Phranc and Michael Ochoa. Their use of heavily distorted keyboards and synthesizers made them, along with The Screamers, one of the original innovators of what is today called "electropunk", although they could equally be considered an early industrial group. The group was confrontational and experimental. Phranc's androgynous appearance was the embodiment of the group's name, garnered the band much press in zines such as Slash and, later, proving inspirational to founders of the queercore movement. Despite their somewhat high profile, the groups' habit of provoking the audience, obscene material and harsh erotics guaranteed they would never gain commercial acceptance. At their first show in 1979, a benefit for the Women's Video Center, Phranc called the audience "pussies" and "dykes" when the band was requested to stop playing.
xsd:nonNegativeInteger 9016
xsd:gYear 1988
xsd:gYear 1978

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