Nancy Davidson (artist)

rdf:langString Nancy Davidson (artist)

rdf:langString Nancy Davidson

rdf:langString Nancy Davidson

rdf:langString Nancy Brachman

rdf:langString Sculpture, photography, video

rdf:langString American

rdf:langString Nancy Davidson is an American artist best known for large-scale inflatable sculptures regarded as hyper-feminized abstractions of the human female form. Bulbous and flesh-like, the sculptures resemble buttocks and breasts and employ erotic cultural signifiers in their shape and decoration. Davidson's work spans art media but centers around sculpture. It is largely post-minimal in character and described by commentators as providing a feminist counterpoint to the male-dominated, minimalist sculpture of the 1960s, as well as to cultural tropes involving bodies that the works themselves invoke. Of particular note are Davidson's use of humor and a sense of absurdity to seemingly both celebrate and subvert these tropes, inviting their investigation but without the seriousness and moralism that often accompany critical works. Sculpture Magazine critic Robert Raczka wrote that "The confectionary color and oversize scale" of Davidson's sculpture creates a "playfully upbeat mood that allows feminist and gender issues to rise to the surface at irregular intervals, without didacticism." The New Art Examiner's Susan Canning described it as establishing "a context where all can revel in the transgressive and liberating power of the grotesque." Davidson’s work has also been covered in the New York Times, Artforum, Art in America and Der Spiegel, among other publications, and recognized with a Guggenheim Fellowship, Pollock-Krasner and Creative Capital grants, and an Anonymous Was a Woman Award, among others. She lives and works in New York City.

rdf:langString Nancy Brachman