Mirror (Flying Saucer Attack album)
http://dbpedia.org/resource/Mirror_(Flying_Saucer_Attack_album) an entity of type: Thing
Mirror is the fourth studio album by English experimental space rock band Flying Saucer Attack, released by FSA Records and Drag City on 17 January 2000. Lead member David Pearce recorded the album, his second solo project released with the Flying Saucer Attack name, with the assistance of one-time collaborator and English producer Rocker from 1997 to 1999 during a long period of depression. The album builds upon the sampling and noise approaches of the band's previous album, New Lands (1997), exploring electronic experimentation with influences from drum and bass and industrial music, in addition to the lo-fi noise pop and gentle psychedelic folk that he originally established the band's style with.
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Mirror (Flying Saucer Attack album)
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Mirror
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FlyingSaucerAttackMirror.jpg
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Instrumentals 2015
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2015
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New Lands
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1997
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Rocker
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Dave Pearce
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"Mirror also somehow manages to encapsulate most everything Pearce had done before, from unprepossessing acoustic laments, to blasted guitar scapes, to fried electronic pulsations, while also bringing new ideas to the table."
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1997
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2000-01-17
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CMJ New Music Monthly
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Pitchfork
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—Jon Dale of ''FACT Magazine
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StAR Studios
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25.0
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Mirror is the fourth studio album by English experimental space rock band Flying Saucer Attack, released by FSA Records and Drag City on 17 January 2000. Lead member David Pearce recorded the album, his second solo project released with the Flying Saucer Attack name, with the assistance of one-time collaborator and English producer Rocker from 1997 to 1999 during a long period of depression. The album builds upon the sampling and noise approaches of the band's previous album, New Lands (1997), exploring electronic experimentation with influences from drum and bass and industrial music, in addition to the lo-fi noise pop and gentle psychedelic folk that he originally established the band's style with. Pearce consciously wrote more direct lyrics on the album, and his vocals and melodies are more pronounced and decipherable than on previous albums, where they were obscured and electronically processed. Upon release, the album was greeted with favourable reviews from critics, complimenting its psychedelic sound, and was a moderate college radio success. Nonetheless, it was the final Flying Saucer Attack album for fifteen years, with Pearce putting the project on hiatus following the album's release.
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23928
