Michael Hodges (producer)
http://dbpedia.org/resource/Michael_Hodges_(producer) an entity of type: Thing
Michael Hodges is an American singer-songwriter, record producer, composer, executive music producer and music executive best known for his work in music for film and television most notably on Blade Runner 2049 (2017), Point Break (2015), The Expanse (2015–2020) and Pete the Cat (2017–present). He has received three Grammy nominations for his work as songwriter and producer. In 2017, Hodges was an executive music producer on Blade Runner 2049, produced the Blade Runner 2049 soundtrack and co-wrote and produced the only original song on the album "Almost Human" performed by Lauren Daigle. The album debuted at No. 1 in the "Billboard" Soundtrack Sales Charts and No. 53 in the "Billboard" 200. In October 2017, Hodges signed on as executive music producer and co-composer of the Amazon Origina
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Michael Hodges (producer)
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Michael Hodges
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Michael Hodges
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Michael E Hodges
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Little Rock, AR, US
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Michael E Hodges
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Michael Hodges at Grammys P&E Red Carpet 2013
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pop
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television
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keyboards
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guitar
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piano
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vocals
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ASG
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singer-songwriter, record producer, composer, musician
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1994
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Michael Hodges is an American singer-songwriter, record producer, composer, executive music producer and music executive best known for his work in music for film and television most notably on Blade Runner 2049 (2017), Point Break (2015), The Expanse (2015–2020) and Pete the Cat (2017–present). He has received three Grammy nominations for his work as songwriter and producer. In 2017, Hodges was an executive music producer on Blade Runner 2049, produced the Blade Runner 2049 soundtrack and co-wrote and produced the only original song on the album "Almost Human" performed by Lauren Daigle. The album debuted at No. 1 in the "Billboard" Soundtrack Sales Charts and No. 53 in the "Billboard" 200. In October 2017, Hodges signed on as executive music producer and co-composer of the Amazon Original Series Pete the Cat. In 2018, The Blade Runner 2049 Soundtrack, co-produced by Hodges, was nominated for a Grammy for Best Score Soundtrack for Visual Media.
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1994