Mal, Dance and Soul

http://dbpedia.org/resource/Mal,_Dance_and_Soul an entity of type: Thing

Mal, Dance and Soul is an album by jazz pianist Mal Waldron recorded in 1987 and first released on the German label. This was not the first time that Waldron was commissioned to record the first album for a newly founded record label (cf. ENJA and ECM). The day before Mal, Dance and Soul was recorded, Waldron had been engaged as a sideman for the featuring Jim Pepper for ENJA, the label that produced Red, White, Black & Blue at the famous Trixi Studio in Munich. Waldron's favourite drummer, John Betsch, was part of that line-up. This was clearly a golden opportunity – with a time tested and brilliant rhythm section right on the spot, comprising Betsch and Ed Schuller on bass - to record a trio album with Waldron. rdf:langString
rdf:langString Mal, Dance and Soul
rdf:langString Mal, Dance and Soul
xsd:integer 31129649
xsd:integer 1049083667
rdf:langString Mal, Dance and Soul.jpg
<second> 4267.0
xsd:integer 1988
xsd:integer 1987
rdf:langString Peter Wießmüller, Horst Weber
xsd:date 1987-11-25
xsd:integer 1987
rdf:langString AllMusic
rdf:langString Trixi Studios, Munich
rdf:langString studio
rdf:langString Mal, Dance and Soul is an album by jazz pianist Mal Waldron recorded in 1987 and first released on the German label. This was not the first time that Waldron was commissioned to record the first album for a newly founded record label (cf. ENJA and ECM). The day before Mal, Dance and Soul was recorded, Waldron had been engaged as a sideman for the featuring Jim Pepper for ENJA, the label that produced Red, White, Black & Blue at the famous Trixi Studio in Munich. Waldron's favourite drummer, John Betsch, was part of that line-up. This was clearly a golden opportunity – with a time tested and brilliant rhythm section right on the spot, comprising Betsch and Ed Schuller on bass - to record a trio album with Waldron. Pepper had once jammed along with Waldron in Portland, Oregon. Reason enough to stroll into the studio suddenly in the course of the trio session, his sax under one arm, and to declare that he was very keen to join in. And as jazz history would have it, Waldron and Pepper playing in duo, conjured up the ballad "Soul Mates" like a rabbit out of a hat. At the end, some compositions like "Blue Monk", "Solar" and "Golden Golson" were recorded in quartet line-up, much more than a casual jam session. As all this material wouldn't have fit on a Vinyl LP, it was saved up and released later on a CD of the same name.
xsd:nonNegativeInteger 6907

data from the linked data cloud