Magnificat in E-flat major, BWV 243a

http://dbpedia.org/resource/Magnificat_in_E-flat_major,_BWV_243a an entity of type: Thing

The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243. rdf:langString
rdf:langString Magnificat in E-flat major, BWV 243a
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rdf:langString Dorothee Mields
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rdf:langString Ingeborg Danz
rdf:langString Klaus Mertens
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rdf:langString Vespers on feast days
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rdf:langString Luke
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rdf:langString Heimsuchung, occasion of the song of praise, Rubens school,
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rdf:langString BWV 243.1
rdf:langString BWV 234a
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rdf:langString basis for Magnificat in D major (1733)
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rdf:langString for Christmas: additional four interpolations
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rdf:langString Bach - Kuhnau: Magnificat
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rdf:langString Edition Bachakademie Vol. 140
rdf:langString Leipziger Weihnachtskantaten
rdf:langString Magnificat zur Weihnachtsvesper BWV 243a
rdf:langString J. S. Bach: Magnificat BWV in E flat major 243a - Cantata BWV 10
rdf:langString J. S. Bach: Magnificat
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rdf:langString A. Lotti: Missa Sapientiae / J. S. Bach: Magnificat BWV 243a
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rdf:langString King James
rdf:langString Magnificat with Christmas interpolations
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rdf:langString The Magnificat in E-flat major, BWV 243a, also BWV 243.1, by Johann Sebastian Bach is a musical setting of the Latin text of the Magnificat, Mary's canticle from the Gospel of Luke. It was composed in 1723 and is in twelve movements, scored for five vocal parts (two sopranos, alto, tenor and bass) and a Baroque orchestra of trumpets, timpani, oboes, strings and basso continuo including bassoon. Bach revised the work some ten years later, transposing it from E-flat major to D major, and creating the version mostly performed today, BWV 243. The work was first performed in Leipzig in 1723. In May that year Bach assumed his position as Thomaskantor and embarked on an ambitious series of compositions. The Magnificat was sung at vesper services on feast days, and, as suggested by recent research, Bach's setting may have been written for a performance on 2 July, celebrating the Marian feast of the Visitation. For a Christmas celebration the same or a later year, he performed it at the Nikolaikirche with the insertion of four seasonal movements. As a regular part of vespers, the canticle Magnificat was often set to music for liturgical use. Bach, as some of his contemporaries, devotes individual expression to every verse of the canticle, one even split in two for a dramatic effect. In a carefully designed structure, four choral movements are evenly distributed (1, 4, 7, 11). They frame sets of two or three movements sung by one to three voices, with individual instrumental colour. The work is concluded by a choral doxology (12), which ends in a recapitulation of the beginning on the text "as it was in the beginning". In Bach's Leipzig period, Magnificat is the first major work on a Latin text and for five vocal parts.
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