M. Hiriyanna
http://dbpedia.org/resource/M._Hiriyanna an entity of type: Thing
Mysore Hiriyanna (1871–1950) was an eminent Indian philosopher, Sanskrit scholar and authority on Indian aesthetics. He was a Professor of Sanskrit at the University of Mysore and a contemporary of Sarvepalli Radhakrishnan. His classes on Indian Philosophy were comprehensive. His classroom dictations, published by Allen & Unwin in book form as "Outlines of Indian Philosophy" brought Hiriyanna international recognition. This was a seminal work on Indian Philosophy. His other prominent works include "Indian Conception of Values", "Essentials of Indian Philosophy", "The Quest after Perfection" and "Art Experience". He wrote extensively on the Vedic age, mainly on the Upanishads, followed by the evolution of Indian philosophical thought in the post-vedic era, deliberating mainly on Bhagavad Gi
rdf:langString
rdf:langString
M. Hiriyanna
rdf:langString
Mysore Hiriyanna
rdf:langString
Mysore Hiriyanna
rdf:langString
Mysore
xsd:date
1950-09-19
xsd:date
1871-05-07
xsd:integer
19317702
xsd:integer
1100951197
xsd:date
1871-05-07
xsd:date
1950-09-19
rdf:langString
xsd:integer
20
rdf:langString
Virtually all subsequent Indian philosophy
rdf:langString
rdf:langString
Indian
rdf:langString
Mysore Hiriyanna (1871–1950) was an eminent Indian philosopher, Sanskrit scholar and authority on Indian aesthetics. He was a Professor of Sanskrit at the University of Mysore and a contemporary of Sarvepalli Radhakrishnan. His classes on Indian Philosophy were comprehensive. His classroom dictations, published by Allen & Unwin in book form as "Outlines of Indian Philosophy" brought Hiriyanna international recognition. This was a seminal work on Indian Philosophy. His other prominent works include "Indian Conception of Values", "Essentials of Indian Philosophy", "The Quest after Perfection" and "Art Experience". He wrote extensively on the Vedic age, mainly on the Upanishads, followed by the evolution of Indian philosophical thought in the post-vedic era, deliberating mainly on Bhagavad Gita, the early years of Buddhism and Jainism. His work on aesthetics was authoritative and dealt mainly with Alamkaras, Aesthetics and Ethics, Method of Art, Indian Aesthetic Values and Art & Morality.
rdf:langString
Perisamy Tirumalacharya, Kashi Sesharamasastry, Asthan Vidwan Kaviratna Mandikallu Ramasastri, Kasturi Ranga-Iyengar, A. R. Wadia
rdf:langString
University of Mysore
rdf:langString
Art experience is transient
rdf:langString
Conception of Nirgunabrahman as the Ultimate Reality with the implied belief in the Maya Doctrine
xsd:nonNegativeInteger
22436
xsd:gYear
1871
xsd:gYear
1950
