Look Mickey

http://dbpedia.org/resource/Look_Mickey an entity of type: Thing

Look Mickey («Mira Mickey», también conocido como Look Mickey!, «¡Mira Mickey!») es un óleo sobre lienzo de 1961 de Roy Lichtenstein. Se considera el puente entre su expresionismo abstracto y sus obras de arte pop y destaca por su humor irónico y su valor estético, además de ser el primer ejemplo del empleo por parte del artista de los puntos Ben-Day, bocadillos e imaginería de cómic como recurso pictórico. El cuadro fue legado a la Galería Nacional de Arte de Washington D.C. tras la muerte de Lichtenstein. rdf:langString
Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death. rdf:langString
Look Mickey ou Look Mickey! (en français, Regarde, Mickey !) est une huile sur toile de l'artiste américain Roy Lichtenstein achevée en 1961. L'artiste reprend une scène de Disney montrant Mickey Mouse et Donald Duck pendant une mésaventure à la pêche. Il apporte cependant d'importantes modifications par rapport à l'œuvre originale, notamment structurelles, par exemple dans l'agencement des couleurs et de la perspective. rdf:langString
Look Mickey (também conhecido como Look Mickey! ) É uma pintura a óleo de 1961 sobre tela de Roy Lichtenstein . Considerado amplamente como a ponte entre seu expressionismo abstrato e obras de arte pop , é notável por seu humor irônico e valor estético, além de ser o primeiro exemplo do emprego de pontos Ben-Day , balões de fala e imagens em quadrinhos como fonte para o artista. uma pintura. A pintura foi legada à Galeria Nacional de Arte de Washington, DC, após a morte de Lichtenstein. rdf:langString
rdf:langString Look Mickey
rdf:langString Look Mickey
rdf:langString Look Mickey
rdf:langString Look Mickey
rdf:langString Look Mickey
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rdf:langString left
rdf:langString #c6dbf7
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rdf:langString Look Mickey.jpg
rdf:langString in
rdf:langString oil on canvas
rdf:langString cm
rdf:langString National Gallery of Art. Acquired via author bequest
<second> 1940.0
rdf:langString It is precisely this tension—between heightened sensation and absolute numbness, bodily exuberance and the deadening of sensory experience—that animates Look Mickey."
rdf:langString Bader
rdf:langString Lichtenstein
rdf:langString —Graham Bader
rdf:langString —Lichtenstein on the germination of his style
rdf:langString The idea of doing [a cartoon painting] without apparent alteration just occurred to me ... and I did one really almost half seriously to get an idea of what it might look like. And as I was painting this painting I kind of got interested in organizing it as a painting and brought it to some kind of conclusion as an aesthetic statement, which I hadn't really intended to do to begin with. And then I really went back to my other kind of painting, which was pretty abstract. Or tried to. But I had this cartoon painting in my studio, and it was a little too formidable. I couldn't keep my eyes off it, and it sort of prevented me from painting in any other way, and then I decided this stuff was really serious ... I would say I had it on my easel for a week. I would just want to see what it looked like. I tried to make it a work of art. I wasn't trying just to copy. I realized that this was just so much more compelling.
rdf:langString Donald is an explicitly divided subject, all sensory experience on one end and, literally, numbness on the other . Indeed, Donald is a portrait of precisely the separation of sight and feeling, vision and touch… What divides vision and touch in Look Mickey, what marks this shift between them, is text: the words that Donald introduces to the scene, and which the duck's pole-cum-brush passes through before snagging his own back end.
rdf:langString Look Mickey
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xsd:integer 69
xsd:integer 1961
rdf:langString Look Mickey («Mira Mickey», también conocido como Look Mickey!, «¡Mira Mickey!») es un óleo sobre lienzo de 1961 de Roy Lichtenstein. Se considera el puente entre su expresionismo abstracto y sus obras de arte pop y destaca por su humor irónico y su valor estético, además de ser el primer ejemplo del empleo por parte del artista de los puntos Ben-Day, bocadillos e imaginería de cómic como recurso pictórico. El cuadro fue legado a la Galería Nacional de Arte de Washington D.C. tras la muerte de Lichtenstein. Sobre la base de sus dibujos de personajes de tiras cómicas de finales de los años 50, Look Mickey representa la primera utilización efectiva por parte de Lichtenstein de técnicas pictóricas de la cultura pop. De este modo, Lichtenstein critica la producción en cadena del dibujo artístico que se estaba empezando a desarrollar en aquella época. En esta obra, Lichtenstein recurre a un libro de historietas en el que aparecen Mickey Mouse y el Pato Donald teniendo un percance mientras pescan. Sin embargo, altera significativamente la fuente original, incluyendo la modificación de la combinación de colores y la perspectiva. La obra data de la primera exposición individual de Lichtenstein y los críticos de arte la consideran revolucionaria. Años más tarde, fue reproducida en su pintura de 1973, , que muestra Look Mickey en una pared del estudio de Lichtenstein.
rdf:langString Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein. Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting. The painting was bequeathed to the Washington, D.C., National Gallery of Art upon Lichtenstein's death. Building on his late 1950s drawings of comic strip characters, Look Mickey marks Lichtenstein's first full employment of painterly techniques to reproduce almost faithful representations of pop culture and so satirize and comment upon the then developing process of mass production of visual imagery. In this, Lichtenstein pioneered a motif that became influential not only in 1960s pop art but continuing to the work of artists today. Lichtenstein borrows from a Donald Duck illustrated story book, showing Mickey Mouse and Donald Duck during a fishing mishap. However, he makes significant alterations to the original source, including modifying the color scheme and perspective, while seeming to make statements about himself. The work dates from Lichtenstein's first solo exhibition, and is regarded by art critics as revolutionary both as a progression of pop art and as a work of modern art in general. It was later reproduced in his 1973 painting Artist's Studio—Look Mickey, which shows the painting hanging prominently on a facing wall of Lichtenstein's studio.
rdf:langString Look Mickey ou Look Mickey! (en français, Regarde, Mickey !) est une huile sur toile de l'artiste américain Roy Lichtenstein achevée en 1961. L'artiste reprend une scène de Disney montrant Mickey Mouse et Donald Duck pendant une mésaventure à la pêche. Il apporte cependant d'importantes modifications par rapport à l'œuvre originale, notamment structurelles, par exemple dans l'agencement des couleurs et de la perspective. S'appuyant sur des dessins de personnages de bandes dessinées dès la fin des années 1950, Roy Lichtenstein utilise ses techniques picturales pour réaliser des représentations les plus fidèles possibles de la culture populaire. Il veut ainsi faire une satire de la production en masse de l’imagerie visuelle de divertissement, qui est alors en plein essor. Ce motif de confrontation avec l'art populaire commercial traverse non seulement le pop art des années 1960, mais il est toujours présent au XXIe siècle. Ce tableau est considéré comme une transition entre ses œuvres d'expressionnisme abstrait et de pop art. Il est en effet le premier exemple de l'emploi, par le peintre, de points de trame ou points Benday, de phylactères et d'images humoristiques comme sources d'inspiration. Les critiques d'art considèrent la toile révolutionnaire, à la fois comme une progression du pop art et comme une œuvre d'art moderne en général. On la retrouve incluse dans son tableau de 1973, Artist's Studio—Look Mickey, qui la montre bien en vue sur un mur de l'atelier, ce qui démontre son importance pour l'artiste. Mais Look Mickey n'est présenté au grand public qu'à partir des années 1980 et, à la mort de Roy Lichtenstein en 1997, il est légué à la National Gallery of Art de Washington.
rdf:langString Look Mickey (também conhecido como Look Mickey! ) É uma pintura a óleo de 1961 sobre tela de Roy Lichtenstein . Considerado amplamente como a ponte entre seu expressionismo abstrato e obras de arte pop , é notável por seu humor irônico e valor estético, além de ser o primeiro exemplo do emprego de pontos Ben-Day , balões de fala e imagens em quadrinhos como fonte para o artista. uma pintura. A pintura foi legada à Galeria Nacional de Arte de Washington, DC, após a morte de Lichtenstein. Com base em seus desenhos de quadrinhos dos anos 50, Look Mickey marca o primeiro emprego completo de técnicas de pintura de Lichtenstein para reproduzir representações quase fiéis da cultura pop e assim satirizar e comentar sobre o processo de produção em massa da imagem visual. Neste, Lichtenstein foi pioneiro em um motivo que se tornou influente não só na pop art dos anos 1960, mas continuando com o trabalho dos artistas hoje. Lichtenstein toma emprestado um livro de histórias ilustrado do Pato Donald, mostrando Mickey Mouse e Pato Donald durante um acidente de pesca. No entanto, ele faz alterações significativas na fonte original, incluindo a modificação do esquema de cores e da perspectiva, embora pareça fazer afirmações sobre si mesmo. O trabalho data da primeira exposição individual de Lichtenstein, e é considerado pelos críticos de arte como revolucionário tanto como uma progressão da arte pop quanto como uma obra de arte moderna em geral. Mais tarde, foi reproduzido em sua pintura de 1973, Artist's Studio - Look Mickey , que mostra a pintura pendurada proeminentemente em uma parede do estúdio de Lichtenstein.
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