Liuqin

rdf:langString Liuqin

rdf:langString

rdf:langString 土琵琶

rdf:langString 柳琴

rdf:langString 柳葉琴

rdf:langString *Plucked string instrument

rdf:langString lau5 kam4

rdf:langString liǔqín

rdf:langString liǔyèqín

rdf:langString tǔpípá

rdf:langString *Pipa *Ruan *Yueqin

rdf:langString láuhkàhm

rdf:langString The liuqin (Chinese: 柳琴, pinyin: liǔqín) is a three, four or five -stringed Chinese mandolin with a pear-shaped body. The range of its voice is much higher than the pipa, and it has its own special place in Chinese music, whether in orchestral music or in solo pieces. This has been the result of a modernization in its usage in recent years, leading to a gradual elevation in status of the liuqin from an accompaniment instrument in folk Chinese opera, to an instrument well-appreciated for its unique tonal and acoustic qualities. The position of the instrument is lower than the pipa, being held diagonally like the Chinese ruan and yueqin. Like the ruan and unlike the pipa its strings are elevated by a bridge and the soundboard has two prominent soundholes. Finally, the instrument is played with a pick with similar technique to both ruan and yueqin, whereas the pipa is played with the fingers. Therefore, the liuqin is most commonly played and doubled by those with ruan and yueqin experience. Historically, the liuqin was commonly made of willow wood (柳 liǔ literally meaning "willow"), while the professionals used versions constructed with a higher-quality red sandalwood or rosewood. In contemporary versions, however, the front board is made of tong wood (桐木) and for the reverse side, of red sandalwood, as comparable to historical types.