Lawrence Gilman

http://dbpedia.org/resource/Lawrence_Gilman an entity of type: Thing

لورانس جيلمان (بالإنجليزية: Lawrence Gilman)‏ هو ناقد موسيقي وصحفي أمريكي، ولد في 5 يوليو 1878 في فلاشينغ ‏ في الولايات المتحدة، وتوفي في 8 سبتمبر 1939. rdf:langString
Lawrence Gilman (July 5, 1878 in Flushing, New York – September 8, 1939 in Sugar Hill, New Hampshire) was a U.S. author and music critic. Lawrence Gilman was the son of and , and the grandnephew of educator Daniel Coit Gilman. Lawrence Gilman studied art at in Hartford, Connecticut under William M. Chase. He also taught himself music in theory and practice on several instruments, including organ and piano. On August 1, 1904, he married , with whom he had one child, "Betty" in 1905. rdf:langString
rdf:langString لورانس جيلمان
rdf:langString Lawrence Gilman
rdf:langString Lawrence Gilman
xsd:integer 3773296
xsd:integer 1105704882
rdf:langString Gilman,+Lawrence
rdf:langString لورانس جيلمان (بالإنجليزية: Lawrence Gilman)‏ هو ناقد موسيقي وصحفي أمريكي، ولد في 5 يوليو 1878 في فلاشينغ ‏ في الولايات المتحدة، وتوفي في 8 سبتمبر 1939.
rdf:langString Lawrence Gilman (July 5, 1878 in Flushing, New York – September 8, 1939 in Sugar Hill, New Hampshire) was a U.S. author and music critic. Lawrence Gilman was the son of and , and the grandnephew of educator Daniel Coit Gilman. Lawrence Gilman studied art at in Hartford, Connecticut under William M. Chase. He also taught himself music in theory and practice on several instruments, including organ and piano. From 1896 to 1898, he worked for the New York Herald, then from 1901 to 1913 as a music critic for Harper's Weekly, where he advanced to the position of managing editor. From 1915 to 1923, he worked as a critic in multiple arts for the North American Review, and for the Herald Tribune from 1923 until his death. On August 1, 1904, he married , with whom he had one child, "Betty" in 1905. Gilman earned later notoriety for his scathing negative reviews of compositions that later became known as classics. He described George Gershwin's Rhapsody in Blue, for example, as trite, feeble, conventional, vapid, fussy, futile, lifeless, stale, derivative and inexpressive. He was similarly dismissive of Gershwin's later Porgy and Bess.
xsd:nonNegativeInteger 3450

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