Last Rights (album)

http://dbpedia.org/resource/Last_Rights_(album) an entity of type: Thing

Last Rights è il settimo album in studio del gruppo musicale canadese Skinny Puppy, pubblicato nel 1992. rdf:langString
Last Rights är ett album av industrialbandet Skinny Puppy som släpptes 1992. Spåret "Left Handshake" fick ej vara med på albumet på grund av upphovsrättsproblem och därav texten "Track 10?" på omslaget. "Left Handshake" släpptes dock senare på skivan "Back and Forth 3 & 4" år 1996. "Left Handshake" innehåller en stor del inspelningar tagna från LSD profeten Timothy Learys album "Turn On, Tune In, Drop Out" Detta är troligtvis det album som fansen har mest delade åsikter om. Vissa menar att skivan är för konstig och inte alls "Skinny Puppy" medan andra menar att det är det bästa de släppt. rdf:langString
Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as moments of uncharacteristic softness. Along with containing some of the band's most impenetrable walls of sound and an eleven-minute track composed almost entirely of manipulated and distorted samples, Last Rights also features Skinny Puppy's first ballad. rdf:langString
rdf:langString Last Rights (album)
rdf:langString Last Rights
rdf:langString Last Rights
rdf:langString Last Rights
xsd:integer 1174715
xsd:integer 1122748301
rdf:langString left
rdf:langString Skinny Puppy
rdf:langString A detailed painting of a gloomy green cemetery full of statues
<second> 172800.0
rdf:langString Bites *"Assimilate" *"The Choke" Cleanse Fold and Manipulate *"Addiction" *"Anger" *"Second Tooth" VIVIsectVI *"Harsh Stone White" *"Testure" *"VX Gas Attack" Rabies *"Tin Omen" *"Worlock" Too Dark Park *"Spasmolytic" Last Rights *"Love in Vein" *"Killing Game" *"Knowhere?" *"Circustance" *"Left Handshake" Improvisations *"Dirty Tricks"
rdf:langString text-align: left; font-size: 100%; width: 100%;
rdf:langString Last_Rights__cover.jpg
rdf:langString "Mirror Saw" is an example of the album's moments of melancholy.
rdf:langString "Love in Vein's" ending showcases Ogre's agonized vocal performance.
rdf:langString "Knowhere?" highlights Last Rights' noisy and layered production.
rdf:langString Knowhere?__clip.ogg
rdf:langString Love_in_Vein__clip.ogg
rdf:langString Mirror_Saw__clip.ogg
rdf:langString
rdf:langString Songs performed
rdf:langString background: #d5e2d5; font-size: 100%; width: 100%;
<second> 228.0 231.0 234.0 258.0 276.0 317.0 335.0 400.0 3174.0 661.0
xsd:gMonthDay --03-24
xsd:integer 1996
rdf:langString right
xsd:integer 1990
rdf:langString
rdf:langString "It was extremely brutal right off the bat and not very easy for anyone to listen to. [...] Last Rights is the way that things feel right now, and definitely the mood that Ogre's in when he's around. [...] However unpopular the sound may be, and very not inviting and just so ugly... It was uglier than I thought."
rdf:langString "Ogre is a different person from what I first knew, and I just can't bear to deal with it. It's something that I have to walk away from. So, unfortunately, I can probably see [Last Rights] as the last record we do because there's just no change."
xsd:integer 1991
rdf:langString March 1992
rdf:langString Los Angeles Times
rdf:langString Entertainment Weekly
rdf:langString Melody Maker
rdf:langString Select
rdf:langString The Morning Call
rdf:langString B+
rdf:langString Very favorable
rdf:langString Favorable
xsd:integer 4
rdf:langString —cEvin Key on the troubled production of Last Rights.
rdf:langString —Dwayne Goettel reflecting on the sound of Last Rights.
xsd:integer 1169
rdf:langString Mirror Saw
rdf:langString Download
rdf:langString Killing Game
rdf:langString Love in Vein
rdf:langString Scrapyard
rdf:langString "Knowhere?"
rdf:langString "Love in Vein"
rdf:langString "Mirror Saw"
rdf:langString Circustance
rdf:langString Knowhere?
rdf:langString Lust Chance
rdf:langString Riverz End
<second> 3174.0
<perCent> 27.0
rdf:langString Last Rights is the seventh studio album by Canadian electro-industrial band Skinny Puppy. It was released in March 1992 as the group's final record distributed through Nettwerk. Last Rights saw the band experimenting with two opposite extremes: cacophonous heavy music and gloomy melodies, resulting in moments of industrial weight as well as moments of uncharacteristic softness. Along with containing some of the band's most impenetrable walls of sound and an eleven-minute track composed almost entirely of manipulated and distorted samples, Last Rights also features Skinny Puppy's first ballad. The album's production was troubled both internally and externally, involving tension within the band and threatened litigation from without. After its release, it was followed by Skinny Puppy's last tour for twelve years. Despite Last Rights' difficulties, it was well-received and named by Alternative Press as one of the best albums of the 1990s. It spawned two singles, "Inquisition" in 1993 and "Left Handshake" (distributed under the title "Track 10") in 2000, and was the band's first release to chart on the Billboard 200.
rdf:langString Last Rights è il settimo album in studio del gruppo musicale canadese Skinny Puppy, pubblicato nel 1992.
rdf:langString Last Rights är ett album av industrialbandet Skinny Puppy som släpptes 1992. Spåret "Left Handshake" fick ej vara med på albumet på grund av upphovsrättsproblem och därav texten "Track 10?" på omslaget. "Left Handshake" släpptes dock senare på skivan "Back and Forth 3 & 4" år 1996. "Left Handshake" innehåller en stor del inspelningar tagna från LSD profeten Timothy Learys album "Turn On, Tune In, Drop Out" Detta är troligtvis det album som fansen har mest delade åsikter om. Vissa menar att skivan är för konstig och inte alls "Skinny Puppy" medan andra menar att det är det bästa de släppt.
xsd:nonNegativeInteger 40310

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