Kris Martin
http://dbpedia.org/resource/Kris_Martin
Kris Martin (* 1972 in Kortrijk, Belgien) ist ein belgischer Konzeptkünstler. Er lebt in Gent. Kris Martin handelt […] bewusst nicht schöpferisch, richtet sich nicht auf die Ausbildung eines persönlichen Gestus, eines individuellen Handwerks, seine Kunst ist eine der Aneignung und des Zeigens. Ihm genügt das Inventar der Welt, frei greift er auf Formen, Symbole, Systeme, auf Technik, Anatomie, Religion, Kunst- und Literaturgeschichte zu. Selbst die Zeichnung, die gemeinhin als das Organ künstlerischer Subjektivität und Welterfindung gilt, nutzt er als Medium, etwas anderes weiterzuleiten. (Volker Adolphs, Kunstmuseum Bonn)
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Kris Martin (born 1972 in Kortrijk) is a Belgian conceptual visual artist. His work consists of monumental and small-scale sculptures, drawings and interventions. Recurring themes in his work are the notion of time, history and the transience of human existence. His artwork also explores the relationship between the creators and the consumers of art, and combines elements of contemplation with humour and playfulness. Martin held his first solo show in 2000. Since then he has mounted many solo exhibitions, and his work has been included in dozens of group exhibitions.
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Kris Martin
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Kris Martin
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Kris Martin (* 1972 in Kortrijk, Belgien) ist ein belgischer Konzeptkünstler. Er lebt in Gent. Kris Martin handelt […] bewusst nicht schöpferisch, richtet sich nicht auf die Ausbildung eines persönlichen Gestus, eines individuellen Handwerks, seine Kunst ist eine der Aneignung und des Zeigens. Ihm genügt das Inventar der Welt, frei greift er auf Formen, Symbole, Systeme, auf Technik, Anatomie, Religion, Kunst- und Literaturgeschichte zu. Selbst die Zeichnung, die gemeinhin als das Organ künstlerischer Subjektivität und Welterfindung gilt, nutzt er als Medium, etwas anderes weiterzuleiten. (Volker Adolphs, Kunstmuseum Bonn)
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Kris Martin (born 1972 in Kortrijk) is a Belgian conceptual visual artist. His work consists of monumental and small-scale sculptures, drawings and interventions. Recurring themes in his work are the notion of time, history and the transience of human existence. His artwork also explores the relationship between the creators and the consumers of art, and combines elements of contemplation with humour and playfulness. Among his best known works are 'Mandi XVIII', a plaster cast of the Laocoon group with the snakes omitted, and '100 years' a sculpture that will explode in 100 years from its conception. Martin has worked with curators Jan Hoet and Jens Hoffmann. Martin held his first solo show in 2000. Since then he has mounted many solo exhibitions, and his work has been included in dozens of group exhibitions. In 2020, a retrospective of Martin's work was held at S.M.A.K Ghent titled EXIT. The exhibition gathered many well known works amongst which the iconic Altar (2004), with recent additions such as Water (2020), a spread of vessels holding the life sustaining liquid.
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