King Cophetua and the Beggar Maid (painting)
http://dbpedia.org/resource/King_Cophetua_and_the_Beggar_Maid_(painting) an entity of type: Thing
Le Roi Cophetua et la Jeune Mendiante est un tableau réalisé par le peintre britannique Edward Burne-Jones en 1884. Cette huile sur toile préraphaélite représente s'éprenant d'une mendiante. Elle est conservée au sein des collections de la Tate, à la Tate Britain, à Londres.
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King Cophetua and the Beggar Maid (Nederlands: Koning Cophetua en het bedelmeisje) is een schilderij van de Engelse kunstschilder Edward Burne-Jones, voltooid in 1884, olieverf op doek, 293,4 x 135,9 centimeter groot. Afgebeeld wordt een scène uit een zestiende-eeuwse Britse legende, waarin een koning, Cophetua liefde opvat voor een bedelares. Het schilderij is sinds 1960 te zien in het Tate Britain te Londen.
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«Король Кофетуа и нищенка» (англ. King Cophetua and the Beggar Maid) — картина английского художника Эдварда Бёрн-Джонса, написанная в 1884 году. За это полотно Бёрн-Джонс в 1889 году получил орден Почётного легиона на Всемирной выставке в Париже.
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King Cophetua and the Beggar Maid is an 1884 painting by the Pre-Raphaelite artist Edward Burne-Jones. The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy's 1765 Reliques of Ancient English Poetry and the sixteen-line poem The Beggar Maid by Alfred, Lord Tennyson.
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O rei Cophetua e a pedinte (em inglês: King Cophetua and the Beggar Maid) é uma pintura de 1884 do artista pré-rafaelita Edward Burne-Jones com características do Medievalismo e do Esteticismo. A pintura ilustra a história de "O rei e a mendiga", que conta a lenda do príncipe Cophetua que se apaixonou à primeira vista pela pedinte Penelophon. O conto era familiar a Burne-Jones através de uma balada elizabetana publicada nas Relíquias da poesia inglesa antiga de 1765, do bispo Thomas Percy, e no poema de dezesseis linhas The Beggar Maid, de Alfred, Lord Tennyson.
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Kung Cophetua och tiggarflickan (engelska: King Cophetua and the Beggar Maid) är en oljemålning av den engelske konstnären Edward Burne-Jones. Den målades 1884 och är sedan 1900 utställd på Tate Britain i London. Kung Cophetua och tiggarflickan anses vara en av Burne-Jones främsta målningar och den fick mycket uppmärksamhet när den ställdes ut på i London 1877. På världsutställningen i Paris 1889 väckte den sensation och befäste Burne-Jones ställning som ledande symbolist. För verket tilldelades han hederslegionens kors.
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Le Roi Cophetua et la Jeune Mendiante
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King Cophetua and the Beggar Maid (painting)
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Koning Cophetua en het bedelmeisje
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O rei Cophetua e a pedinte
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Король Кофетуа и нищенка (картина Бёрн-Джонса)
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Kung Cophetua och tiggarflickan
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Edward Burne-Jones - King Cophetua and the Beggar Maid - Google Art Project.jpg
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King Cophetua and the Beggar Maid
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King Cophetua and the Beggar Maid is an 1884 painting by the Pre-Raphaelite artist Edward Burne-Jones. The painting illustrates the story of 'The King and the Beggar-maid", which tells the legend of the prince Cophetua who fell in love at first sight with the beggar Penelophon. The tale was familiar to Burne-Jones through an Elizabethan ballad published in Bishop Thomas Percy's 1765 Reliques of Ancient English Poetry and the sixteen-line poem The Beggar Maid by Alfred, Lord Tennyson. Burne-Jones first attempted the story in an oil painting of 1861–62 (now in the Tate Gallery, London). He was working out a new composition around 1874 or 1875, and began the painting in earnest in 1881. He worked on it through the winter of 1883–84, declaring it finished in April 1884. The composition is influenced by Andrea Mantegna's Madonna della Vittoria (1496–96). Several studies for the final work survive. A small gouache (bodycolour) of c. 1883 (now in the collection of Andrew Lloyd Webber) shows the king and the beggar maid much closer together, and a full-scale cartoon in bodycolour and coloured chalks of the same year (now in the Birmingham Museum and Art Gallery) features an entirely different approach to lighting the figures. King Cophetua was exhibited at the Grosvenor Gallery in 1884 and became Burne-Jones's greatest success of the 1880s for its technical execution and its themes of power and wealth overborne by beauty and simplicity. It was heralded as the "picture of the year" by The Art Journal and "not only the finest work Mr Burne-Jones has ever painted, but one of the finest pictures ever painted by an Englishman" by The Times. The painting was exhibited in France in 1889, where its popularity earned Burne-Jones the Legion of Honour and began a vogue for his work. The artist's wife Georgiana Burne-Jones felt "this picture contained more of Edward's own qualities than any other he did." The painting was purchased by the Earl of Wharncliffe (d. 1899) and acquired by public subscription through the Burne-Jones Memorial Fund from his executors in 1900. It is now in Tate Britain. The full-scale cartoon was acquired for Birmingham in 1947. The painting is referenced in Chapter 4 of Anthony Powell's "Books do Furnish a Room", the tenth instalment of "A Dance to the Music of Time", as a visual set-up for the confrontation between X Trapnel and Kenneth Widmerpool in the former's digs in bombed out Little Venice circa 1947. Pamela Widmerpool is envisioned as the Beggar Maid. The painting is also mentioned in the story "The Beggar Maid" by Alice Munro, where Patrick compares Rose to Beggar Maid, and Rose then looks at the picture only to find out how un-like King Cophetua Patrick would ever be, and how impossible their marriage would be (which turns to be the case). It also merits a mention in A.N. Wilson's novel "Kindly Light."
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Le Roi Cophetua et la Jeune Mendiante est un tableau réalisé par le peintre britannique Edward Burne-Jones en 1884. Cette huile sur toile préraphaélite représente s'éprenant d'une mendiante. Elle est conservée au sein des collections de la Tate, à la Tate Britain, à Londres.
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King Cophetua and the Beggar Maid (Nederlands: Koning Cophetua en het bedelmeisje) is een schilderij van de Engelse kunstschilder Edward Burne-Jones, voltooid in 1884, olieverf op doek, 293,4 x 135,9 centimeter groot. Afgebeeld wordt een scène uit een zestiende-eeuwse Britse legende, waarin een koning, Cophetua liefde opvat voor een bedelares. Het schilderij is sinds 1960 te zien in het Tate Britain te Londen.
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Kung Cophetua och tiggarflickan (engelska: King Cophetua and the Beggar Maid) är en oljemålning av den engelske konstnären Edward Burne-Jones. Den målades 1884 och är sedan 1900 utställd på Tate Britain i London. Denna målning återger en episod ur en engelsk medeltida ballad om den afrikanske kungen Cophetua som blir blixtförälskad i tiggarflickan Penelophon. Den nedtecknades av Thomas Percy 1765 och är mest känd från Alfred Tennysons omtolkning i dikten The Beggar Maid (1842). Tennyson var en stor inspirationskälla för de prerafaelitiska målarna (till exempel John William Waterhouses Jungfrun av Shalott) som influerades av konsten före Rafael, främst det italienska 1400-talsmåleriet (ungrenässansen) och den medeltida konsten. Målningen visar hur kungen lägger ifrån sig alla tecken på sin rikedom och tapperhet för att vinna tiggarflickans kärlek. Senare gifter de sig och tiggarflickan kröns till drottning. Kung Cophetua och tiggarflickan anses vara en av Burne-Jones främsta målningar och den fick mycket uppmärksamhet när den ställdes ut på i London 1877. På världsutställningen i Paris 1889 väckte den sensation och befäste Burne-Jones ställning som ledande symbolist. För verket tilldelades han hederslegionens kors. Burne-Jones började arbeta med en tavla på detta tema redan 1862 och det finns flera skisser till Kung Cophetua och tiggarflickan på bland annat Tate Britain och Birmingham Museum and Art Gallery.
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O rei Cophetua e a pedinte (em inglês: King Cophetua and the Beggar Maid) é uma pintura de 1884 do artista pré-rafaelita Edward Burne-Jones com características do Medievalismo e do Esteticismo. A pintura ilustra a história de "O rei e a mendiga", que conta a lenda do príncipe Cophetua que se apaixonou à primeira vista pela pedinte Penelophon. O conto era familiar a Burne-Jones através de uma balada elizabetana publicada nas Relíquias da poesia inglesa antiga de 1765, do bispo Thomas Percy, e no poema de dezesseis linhas The Beggar Maid, de Alfred, Lord Tennyson. Burne-Jones tentou a história pela primeira vez em uma pintura a óleo de 1861 a 1862 (agora na Tate Gallery, Londres). Ele estava elaborando uma nova composição por volta de 1874 ou 1875 e começou a pintura a sério em 1881. Ele trabalhou durante o inverno de 1883 a 1884, declarando terminado em abril de 1884. A composição é influenciada pela Madonna della Vittoria de Andrea Mantegna (1496-1496). Vários estudos para o trabalho final sobrevivem. Um pequeno guache (cor do corpo) de c. 1883 (agora na coleção de Andrew Lloyd Webber) mostra o rei e a mendiga muito mais próximos, e um desenho animado em grande escala em cor de corpo e giz colorido do mesmo ano (agora no Birmingham Museum and Art Gallery) apresenta uma abordagem diferente para iluminar as figuras. O rei Cophetua foi exibido na Galeria Grosvenor em 1884 e se tornou o maior sucesso de Burne-Jones da década de 1880 por sua execução técnica e seus temas de poder e riqueza suportados pela beleza e simplicidade. Foi anunciada como a "imagem do ano" pelo The Art Journal e "não apenas o melhor trabalho que o Sr. Burne-Jones já pintou, mas uma das melhores obras já pintadas por um inglês" pelo The Times. A pintura foi exibida na França em 1889, onde sua popularidade rendeu Burne-Jones, a Legião de Honra, e começou uma moda por seu trabalho. A esposa do artista, Georgiana Burne-Jones, sentiu que "essa imagem continha mais as próprias qualidades de Edward do que qualquer outra que ele". A pintura foi comprada pelo conde de Wharncliffe (m. 1899) e adquirida por assinatura pública através do Burne-Jones Memorial Fund de seus executores em 1900. Está agora na Tate Britain. O desenho em grande escala foi adquirido para Birmingham em 1947. A pintura é referenciada no capítulo 4 de "Books do Furnish a Room", de Anthony Powell, a décima parte de "A Dance to the Music of Time", como um cenário visual para o confronto entre X Trapnel e Kenneth Widmerpool no primeiro filme. escavações bombardeadas Little Venice por volta de 1947. Pamela Widmerpool é considerada a Mendiga Empregada.
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«Король Кофетуа и нищенка» (англ. King Cophetua and the Beggar Maid) — картина английского художника Эдварда Бёрн-Джонса, написанная в 1884 году. За это полотно Бёрн-Джонс в 1889 году получил орден Почётного легиона на Всемирной выставке в Париже.
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