Jeffrey Shaw

rdf:langString Jeffrey Shaw

rdf:langString Anne-Marie Duguet

rdf:langString Peter Weibel

rdf:langString Without Shaw’s output we would be unaware of the full range of electronic media art.

rdf:langString Jeffrey Shaw’s symbolic structures provide both meaning and mystery to pathways through the unsignposted space of virtuality.

rdf:langString Jeffrey Shaw: From Expanded Cinema to Virtual Reality

rdf:langString Jeffrey Shaw (born 1944 in Melbourne) is a visual artist known for being a leading figure in new media art. In a prolific career of widely exhibited and critically acclaimed work, he has pioneered the creative use of digital media technologies in the fields of expanded cinema, interactive art, virtual, augmented and mixed reality, immersive visualization environments, navigable cinematic systems and interactive narrative. Shaw was co-designer of Algie the inflatable pig, which was photographed above Battersea Power Station for the 1977 Pink Floyd album, Animals. Shaw's numerous internationally exhibited and critically acclaimed artworks are milestones of technological and cultural innovation that have had a seminal impact on the theory, design, and application of digital media in art, society, and industry, and his artistic achievements are amongst the most cited in new media literature. During his career, his works have been presented at leading public galleries museums including the Stedelijk Museum Amsterdam, Centre Georges Pompidou Paris, Kunsthalle Bern, Guggenheim Museum New York, ZKM Karlsruhe, Hayward Gallery London and Power Station of Art Shanghai. Shaw's career is also distinguished by his collaborations with fellow artists including Tjebbe van Tijen, Theo Botschuijver, Dirk Groeneveld, Peter Gabriel/Genesis, Agnes Hegedüs, David Pledger, The Wooster Group, William Forsythe, Dennis Del Favero, Peter Weibel, Jean Michel Bruyere, Bernd Lintermann, Harry de Wit, John Latham and Sarah Kenderdine. Without Shaw’s output we would be unaware of the full range of electronic media art. — Peter Weibel (Director and CEO, ZKM Center for Art and Media Karlsruhe) Jeffrey Shaw’s symbolic structures provide both meaning and mystery to pathways through the unsignposted space of virtuality. — Anne-Marie Duguet (Professor, Pantheon-Sorbonne University), Jeffrey Shaw: From Expanded Cinema to Virtual Reality