Jeanne Silverthorne
http://dbpedia.org/resource/Jeanne_Silverthorne an entity of type: Thing
Jeanne Silverthorne (born 1950) is an American sculptor, known for cast-rubber sculptures and installations that explore the artist's studio as a metaphor for artistic practice, the human body and psyche, and mortality. She gained prominence in New York City in the 1990s, as one of several material-focused sculptors who critiqued the austere, male-dominated Minimalist movement by embracing humble, unorthodox media and hand-made, personal and ephemeral qualities championed by artists such as Eva Hesse and Louise Bourgeois. She treats the studio as a physical and conceptual site to be excavated, documented and inventoried, examining in the words of Sculpture's Jan Riley "the end of studio arts … and the impossibility of this mode of expression regaining its former creative validity and vital
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Jeanne Silverthorne, née en 1950 à Philadelphie, est une sculptrice américaine, connue pour ses sculptures en caoutchouc moulé et ses installations qui utilisent l'atelier d'artiste comme métaphore de la pratique artistique, du corps humain, de la psyché ou de la mortalité. Jeanne Silverthorne vit à New York et enseigne à la School of Visual Arts depuis 1993.
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Jeanne Silverthorne
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Jeanne Silverthorne
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Jeanne Silverthorne
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Jeanne Silverthorne
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Philadelphia, Pennsylvania, United States
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26201698
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1088331678
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1950
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Sculpture, installation art
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American
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Jeanne Silverthorne (born 1950) is an American sculptor, known for cast-rubber sculptures and installations that explore the artist's studio as a metaphor for artistic practice, the human body and psyche, and mortality. She gained prominence in New York City in the 1990s, as one of several material-focused sculptors who critiqued the austere, male-dominated Minimalist movement by embracing humble, unorthodox media and hand-made, personal and ephemeral qualities championed by artists such as Eva Hesse and Louise Bourgeois. She treats the studio as a physical and conceptual site to be excavated, documented and inventoried, examining in the words of Sculpture's Jan Riley "the end of studio arts … and the impossibility of this mode of expression regaining its former creative validity and vitality in today’s world." Art in America critic Raphael Rubinstein wrote that, like the late studio paintings of Philip Guston, Silverthorne examines "deeply melancholic realms, enlivened by the occasional mordant joke, in which lowly objects are relentlessly and lovingly queried for a meaning they never seem quite ready to yield." Silverthorne has been recognized with a Guggenheim Fellowship, Joan Mitchell Foundation Award, and Anonymous Was a Woman Award, among others, and her art has been acquired by institutions including the Museum of Modern Art (MoMA) and San Francisco Museum of Modern Art. She has exhibited internationally, in solo shows at the Phillips Collection, Whitney Museum of American Art, Institute of Contemporary Art, Philadelphia (ICAP) and PS1, and group exhibitions at MoMA, Albright-Knox Gallery and Haus der Kunst (Munich), among others. Silverthorne is based in New York and has taught at the School of Visual Arts since 1993.
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Jeanne Silverthorne, née en 1950 à Philadelphie, est une sculptrice américaine, connue pour ses sculptures en caoutchouc moulé et ses installations qui utilisent l'atelier d'artiste comme métaphore de la pratique artistique, du corps humain, de la psyché ou de la mortalité. Dans les années 1990, elle participe à un mouvement de sculptrices qui s'emparent de matériaux modestes et peu orthodoxes, en réaction au mouvement minimaliste, considéré comme austère et masculin. Ce mouvement s'inspire du travail artisanal, intime et éphémère d'artistes comme Eva Hesse ou Louise Bourgeois. Jeanne Silverthorne considère son atelier comme un lieu à explorer, documenter et inventorier de manière physique et conceptuelle. Comme Philip Guston dans ses derniers tableaux en atelier, Silverthorne explore « des terrains profondément mélancoliques, avec une pointe d'humour mordant, dans lesquels des objets banals sont, sans relâche et avec amour, interrogés sur un sens qu'ils ne semblent jamais tout à fait prêts produire ». Silverthorne a notamment reçu une bourse Guggenheim, un prix de la fondation Joan Mitchell et un prix Anonymous Was A Woman. Son travail est entré dans les collections du Museum of Modern Art (MoMA) ou du Musée d'Art moderne de San Francisco. Elle a exposé à la Phillips Collection, au Whitney Museum of American Art, à l'Institute of Contemporary Art (Philadelphie) et au MoMA PS1 ; elle a participé à des expositions collectives au MoMA, à la galerie d'art Albright-Knox ou au Haus der Kunst (Munich). Jeanne Silverthorne vit à New York et enseigne à la School of Visual Arts depuis 1993.
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29195
