Irving Sandler
http://dbpedia.org/resource/Irving_Sandler an entity of type: Thing
Irving Sandler (* 22. Juli 1925 in New York City; † 2. Juni 2018 in Manhattan) war ein US-amerikanischer Kunsthistoriker und Hochschullehrer an der State University of New York.
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Irving Sandler (July 22, 1925 – June 2, 2018) was an American art critic, art historian, and educator. He provided numerous first hand accounts of American art, beginning with abstract expressionism in the 1950s. He also managed the Tanager Gallery downtown and co-ordinated the New York Artists Club (the "Club") of the New York School from 1955 to its demise in 1962 as well as documenting numerous conversations at the Cedar Street Tavern and other art venues. Al Held named him, "Our Boswell of the New York scene," and Frank O'Hara immortalized him as the "balayeur des artistes" (sweeper-up after artists) because of Sandler's constant presence and habit of taking notes at art world events. Sandler saw himself as an impartial observer of this period, as opposed to polemical advocates such as
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Irving Sandler
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Irving Sandler
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New York City, U.S.
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2018-06-02
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New York City, U.S.
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1925-07-22
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21357634
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1117134414
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Temple University
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1925-07-22
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2013-12-03
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2018-06-02
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New York University
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U. of Pennsylvania
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curator
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writer
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educator
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art historian
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Art critic
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Irving Sandler (* 22. Juli 1925 in New York City; † 2. Juni 2018 in Manhattan) war ein US-amerikanischer Kunsthistoriker und Hochschullehrer an der State University of New York.
rdf:langString
Irving Sandler (July 22, 1925 – June 2, 2018) was an American art critic, art historian, and educator. He provided numerous first hand accounts of American art, beginning with abstract expressionism in the 1950s. He also managed the Tanager Gallery downtown and co-ordinated the New York Artists Club (the "Club") of the New York School from 1955 to its demise in 1962 as well as documenting numerous conversations at the Cedar Street Tavern and other art venues. Al Held named him, "Our Boswell of the New York scene," and Frank O'Hara immortalized him as the "balayeur des artistes" (sweeper-up after artists) because of Sandler's constant presence and habit of taking notes at art world events. Sandler saw himself as an impartial observer of this period, as opposed to polemical advocates such as Clement Greenberg and Harold Rosenberg.
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23889