Industrial Zen
http://dbpedia.org/resource/Industrial_Zen an entity of type: Thing
Industrial Zen is a studio album recorded by English jazz musician John McLaughlin in 2006. It was released on 22 May 2006 by Verve Records as a compact disc. Following the release of Thieves and Poets (2003), he began creating an album that was more ambitious and one that he could consider unique to him. He collaborated with various musicians for the project, such as vocalist Shankar Mahadevan, saxophonist Bill Evans, and tabla player Zakir Hussain. A jazz fusion and electric jazz album, Industrial Zen features the use of several instruments, including drums, keyboards, the electric bass, and the tabla. Additionally, McLaughlin wrote and produced all eight songs that appear on the record.
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Industrial Zen
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Industrial Zen
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A blue background displaying the inside of a room with several columns and a statue in the distance is displayed, along with the title and respective artist of the album.
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John McLaughlin – Industrial Zen.jpg
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2008
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John McLaughlin
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All About Jazz
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The Penguin Guide to Jazz Recordings
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B+
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Metropolis Studios
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At Beatnik Studio
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Mediastarz Studio
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Otmatik Sound
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Saucer Sound Studio
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The Cutting Room Studios
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Tony Grey Studio
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Under the Bed Studios
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Winsome Farm Studio
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Mother Nature
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Dear Dalai Lama
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For Jaco
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Just So Only More So
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New Blues Old Bruise
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Senor C.S.
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To Bop or Not to Be
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Wayne's Way
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studio
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McLaughlin
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John McLaughlin
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Antonia Minnecola
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Industrial Zen is a studio album recorded by English jazz musician John McLaughlin in 2006. It was released on 22 May 2006 by Verve Records as a compact disc. Following the release of Thieves and Poets (2003), he began creating an album that was more ambitious and one that he could consider unique to him. He collaborated with various musicians for the project, such as vocalist Shankar Mahadevan, saxophonist Bill Evans, and tabla player Zakir Hussain. A jazz fusion and electric jazz album, Industrial Zen features the use of several instruments, including drums, keyboards, the electric bass, and the tabla. Additionally, McLaughlin wrote and produced all eight songs that appear on the record. The album was generally well received by music critics for being musically diverse. One critic also pointed out that it resembled some of McLaughlin's work that he released in the 1970s. Commercially, the album fared well on two jazz music Billboard charts, peaking at numbers 9 and 14 on the Top Jazz Albums and Jazz Albums charts, respectively.
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