Hymnen

rdf:langString Hymnen

rdf:langString Hymnen

rdf:langString Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. .

rdf:langString Kurtz, Michael. 1992. Stockhausen: A Biography, translated by Richard Toop. London and Boston: Faber and Faber. .

rdf:langString Heyworth, Peter. 1971. "Stockhausen: Is He the Way and the Light?" The New York Times : D13.

rdf:langString Boehmer, Konrad. 1970. Zwischen Reihe und Pop: Musik und Klassengesellschaft, hrsg. in Zusammenarbeit mit der österreichischen Gesellschaft für Musik. Vienna and Munich: Jugend und Volk.

rdf:langString Stockhausen, Karlheinz. 1968. Nr. 22, Hymnen: elektronische und konkrete Musik. Mitlese-Partitur . Vienna: Universal Edition.

rdf:langString Loomis, George. 1972. "Multi-Media: YSO Performs". Yale Daily News .

rdf:langString Stockhausen, Karlheinz. 1995. Hymnen, CD booklet. Kürten: Stockhausen-Verlag.

rdf:langString Schonberg, Harold C. 1971a. "A Collage of Anthems: Music of Stockhausen Draws the Young". The New York Times : 21.

rdf:langString Schwinger, Wolfram. 1967. "Diesen Kuß der ganzen Welt: Stockhausens elektronische Hymnen". Stuttgarter Zeitung .

rdf:langString Stockhausen, Karlheinz. 1971. Texte zur Musik 3, edited by Dieter Schnebel. Cologne: Verlag M. DuMont Schauberg. .

rdf:langString Morgan, John. 1972. "Outdoor Pageantry At Yale". New Haven Register .

rdf:langString Lichtenfeld, Monika. 1968. "Stockhausens Frischzellentherapie für Nationalhymnen". Melos 35, no. 2 : 69–70.

rdf:langString Stockhausen, Karlheinz. 1978. Texte zur Musik 4, edited by Christoph von Blumröder. Cologne: DuMont Buchverlag. .

rdf:langString Fritsch, Johannes G. 1976. "Hauptwerk Hymnen", Schweizerische Muzikzeitung/Revue Musicale Suisse 116, no. 4:262–265. Reprinted in Feedback Papers, no. 16 : 19–21.

rdf:langString Harvey, Jonathan. 1975. "Stockhausen's Hymnen", The Musical Times 116, no. 1590 : 705, 707.

rdf:langString Stockhausen, Karlheinz. 1998a. Texte zur Musik 7, edited by Christoph von Blumröder. Kürten: Stockhausen-Verlag.

rdf:langString Anon. 1972. "Extravaganza in Lights, Music, Drama, Sound ". Yale Alumni Magazine : 34.

rdf:langString Schonberg, Harold C. 1971b. "Stockhausen: Pied Piper of the Young". The New York Times : D15.

rdf:langString –67, revised 1969

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rdf:langString Three versions

rdf:langString Electronic and concrete music

rdf:langString Hymnen (German for "Anthems") is an electronic and concrete work, with optional live performers, by Karlheinz Stockhausen, composed in 1966–67, and elaborated in 1969. In the composer's catalog of works, it is No. 22. The extended work is based on national anthems. It is structured in four Regions: Region I is dedicated to Pierre Boulez and uses "The Internationale" and "La Marseillaise", Region II is dedicated to Henri Pousseur and uses the "Deutschlandlied", a group of African anthems, the beginning of the Russian anthem, and a fragment of the "Horst-Wessel-Lied", Region III is dedicated to John Cage and uses the continuation of the Russian anthem, The Star-Spangled Banner, and the "Marcha Real", Region IV is dedicated to Luciano Berio and uses the "Swiss Psalm". Stockhausen wrote three versions, one for electronic and concrete music alone, on for electronic and concrete music with soloists, and finally an orchestral version of Region III, which can be performed by itself, or together with either the first or second version of the other three regions. Hymnen was first performed in collaboration with the Electronic Music Studio of the broadcaster Westdeutscher Rundfunk (WDR) in Cologne, in a version with soloists on 30 November 1967. The orchestral version was written for Leonard Bernstein and the New York Philharmonic. It was first performed by the orchestra conducted by Stockhausen in New York City on 25 February 1971, together with the American premiere of the other Regions in the version with soloists, taking three hours. A second performance of this version was performed at Yale University on 29 April 1972 in an outdoor performance with a scenario of flag designs real and projected.