Harry Shokler

http://dbpedia.org/resource/Harry_Shokler an entity of type: Thing

Harry Shokler (1896–1978) was a 20th-century American artist known for his oil paintings and screen prints. Using a realist approach that produced what one critic called an "exactness of rendition", he made colorful landscapes, cityscapes, and marine scenes as well as some notable portraits. He helped pioneer silkscreen printmaking in the 1930s and wrote an influential guide explaining and demonstrating the method. He gave few solo or small group exhibitions in commercial galleries and showed his work mainly from his own studio and in non-profit venues. rdf:langString
rdf:langString Harry Shokler
rdf:langString Harry Shokler
rdf:langString Harry Shokler
xsd:date 1978-09-28
rdf:langString Cincinnati, Ohio
xsd:date 1896-04-27
xsd:integer 65857417
xsd:integer 1119637068
rdf:langString Montefiore Cemetery, Price Hill, Cincinnati, Ohio
rdf:langString Harry Shokler, 1947
xsd:date 1896-04-27
rdf:langString Harry Shokler, photo from the Brooklyn Daily Eagle
xsd:integer 30
xsd:date 1978-09-28
rdf:langString Artist
rdf:langString U.S. citizen
rdf:langString Harry Shokler (1896–1978) was a 20th-century American artist known for his oil paintings and screen prints. Using a realist approach that produced what one critic called an "exactness of rendition", he made colorful landscapes, cityscapes, and marine scenes as well as some notable portraits. He helped pioneer silkscreen printmaking in the 1930s and wrote an influential guide explaining and demonstrating the method. He gave few solo or small group exhibitions in commercial galleries and showed his work mainly from his own studio and in non-profit venues. While critics praised him for skillful depiction of his subjects, they did not credit him with stylistic individuality or skill in reshaping natural subjects to achieve emotional expression. Early in his career critics called his work "simple, direct, and sincere." Of his mature work others used terms like "quaint", "convincing", "capable", "truthfully realistic", and "honest". In 1939, Howard Devree of the New York Times wrote: "Shokler's work is quiet and unostentatious, possesses a real feeling, and combines a rather traditional approach with modern vigor and spirit."
xsd:nonNegativeInteger 36374

data from the linked data cloud