Frank Matcham

rdf:langString Frank Matcham

rdf:langString true

rdf:langString center

rdf:langString left

rdf:langString right

rdf:langString Three sketch drawings of building's layout with estimates and designs, including seating plan

rdf:langString Two photographs of a lavishly decorated theatre auditorium in gold; the first is of a domed roof in gold; the second is of the stage, walls and side viewing boxes, all in gold, including part of the stalls seating area with red seats.

rdf:langString Two pictures, the top being of a detailed, baroque-style, decorated wall with boxes; the second is of a large white building on a corner plot and pitched roof

rdf:langString #DADDFF

rdf:langString Cross section

rdf:langString Interior layout

rdf:langString The stage with unobstructed sight lines

rdf:langString Interior view of the domed roof which helped enhance the sound

rdf:langString King's Theatre, Southsea , Matcham's last building for the Revill family.

rdf:langString King's Theatre, Glasgow built for Howard & Wyndham.

rdf:langString The balconies, which sloped towards the auditorium sides to improve sight lines

rdf:langString center

rdf:langString horizontal

rdf:langString vertical

rdf:langString n

rdf:langString London Coliseum

rdf:langString Matcham's designs for the Grand Theatre, Islington

rdf:langString Grand Theatre Islington 1.jpg

rdf:langString Grand Theatre Islington 3.jpg

rdf:langString Grand Theatre Islington 4.jpg

rdf:langString King's Theatre DSCN1779.jpg

rdf:langString Kings Tower Web-Res.jpg

rdf:langString London Coliseum Auditorium 2018-09-23 7.jpg

rdf:langString London Coliseum Auditorium Ceiling 2018-09-23 1.jpg

rdf:langString What a room. The palette is rich cream, gold and brown. The proscenium is framed by glorious turret-like boxes topped with onion domes, while the top is crowned by enormous figures representing the Three Graces. The Wurlitzer organ faces a backdrop of a romantic seaside scene .

rdf:langString right

rdf:langString Nikolaus Pevsner describing the Tower Ballroom, Blackpool, in Lancashire: North, 2009.

rdf:langString Francis Matcham (22 November 1854 – 17 May 1920) was an English architect who specialised in the design of theatres and music halls. He worked extensively in London, predominantly under Moss Empires, for whom he designed the Hippodrome in 1900, Hackney Empire (1901), Coliseum (1903) and Palladium (1910). His last major commission before retirement was the Victoria Palace (1911) for the variety magnate Alfred Butt. During his 40-year career, Matcham was responsible for the design and construction of over 90 theatres and the redesign and refurbishment of a further 80 throughout the United Kingdom. Matcham was born in Newton Abbot, Devon, where he became apprenticed at the age of 14 to the architect George Soudon Bridgman. Matcham moved to London, aged 21, where he joined the architectural practice of J. T. Robinson, who was to become his father-in-law. Under Robinson, Matcham completed his first solo design, the Elephant and Castle Theatre, which opened in June 1879. He took over the business on Robinson's death and continued the designs of various provincial theatres. He formed his own practice, Matcham & Co., in the 1880s and enlisted skilled craftsmen. His first major association came in the 1880s when he was employed to design and refurbish theatres belonging to the Revill family who owned many of the theatres throughout the United Kingdom. Matcham's most successful period was between 1892 and 1912 when he worked extensively for Moss Empires, a theatre building business headed by Edward Moss and run by Oswald Stoll. Under them, Matcham completed 21 theatres, including three in London, with the rest being in the provinces. Also during this period, although not with Moss Empires, he completed the designs for the Tower Ballroom at Blackpool Tower, Grand Theatre, Blackpool and the Theatre Royal, Norwich, all in 1894, and the County Arcade, Leeds, in 1900. The author Iain Mackintosh, writing for the Dictionary of National Biography in 1993, describes Matcham's theatre interiors to be superior when compared to the building's external designs. Matcham's use of cantilevers for the galleries allowed him to discontinue the use of columns, which would otherwise obstruct the audience's view of the stage. The auditorium decorations were often mixed with Tudor strap-work, Louis XIV detail, Anglo-Indian motifs, naval and military insignia, rococo panels, classical statuary, and baroque columns. Matcham retired to Westcliff-on-Sea, Essex, shortly before the First World War, where he died of a heart attack, brought about by a blood infection, in 1920. His biographer Brian Walker notes from the architect's personal archives that he was "a man of remarkable vigour and had an enthusiasm for life ... he possessed a tranquility of mind and a great sense of humour and fun."