Every Home Should Have One (album)

http://dbpedia.org/resource/Every_Home_Should_Have_One_(album) an entity of type: Thing

Every Home Should Have One is the fourth studio album by American R&B/jazz singer Patti Austin, released on September 28, 1981, by Qwest Records. The album includes the number-one hit duet with James Ingram, "Baby Come to Me", and the title track, "Every Home Should Have One", which peaked at number 62 on the Billboard Hot 100. She also scored with "Do You Love Me?", a #24 R&B & #1 Dance Chart hit. The vinyl/cassette mix of the album differs from the CD mix. With the CD version some tracks are remixed, e.g. track 4 gains overdubs, and/or edited, e.g. track 5 loses the fade-in intro. rdf:langString
rdf:langString Every Home Should Have One (album)
rdf:langString Every Home Should Have One
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rdf:langString PattiAustin EveryHome.jpg
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xsd:integer 1984
rdf:langString with James Ingram
rdf:langString Body Language
xsd:integer 1980
xsd:gMonthDay --03-16
xsd:date 1981-09-28
rdf:langString
rdf:langString Mediasound
rdf:langString The Way I Feel
rdf:langString Stop, Look, Listen
rdf:langString The Island
rdf:langString Every Home Should Have One
rdf:langString Love Me to Death
rdf:langString The Genie
rdf:langString Oh No Margarita
rdf:langString Symphony of Love
rdf:langString Studio
rdf:langString Dominic Bugatti, Frank Musker
rdf:langString Temperton
rdf:langString Rod Bowkett
rdf:langString Austin, Michael Boddicker
rdf:langString Ivan Lins, Vitor Martins, Alan Bergman, Marilyn Bergman
rdf:langString Every Home Should Have One is the fourth studio album by American R&B/jazz singer Patti Austin, released on September 28, 1981, by Qwest Records. The album includes the number-one hit duet with James Ingram, "Baby Come to Me", and the title track, "Every Home Should Have One", which peaked at number 62 on the Billboard Hot 100. She also scored with "Do You Love Me?", a #24 R&B & #1 Dance Chart hit. The vinyl/cassette mix of the album differs from the CD mix. With the CD version some tracks are remixed, e.g. track 4 gains overdubs, and/or edited, e.g. track 5 loses the fade-in intro.
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