Eurotechno

http://dbpedia.org/resource/Eurotechno an entity of type: Thing

Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style. rdf:langString
rdf:langString Eurotechno
rdf:langString Eurotechno
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rdf:langString fsol - stakker eurotechno cover.jpg
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rdf:langString Marek Pytel
xsd:integer 1989
xsd:date 2003-01-27
rdf:langString Remix
rdf:langString Pitchfork
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rdf:langString album
rdf:langString Eurotechno refers to the musical soundtrack by English group Stakker for their 1989 experimental short film of the same name. The original film was an avant-garde experiment and features rapidly shifting colourful computer graphics, reflecting the influence of rave culture. Although the visuals of the film were primarily the work of Stakker members Marek Pytel, Mark McClean and Colin Scott, the musical soundtrack was largely the work of Brian Dougans, later of The Future Sound of London. The 25-minute soundtrack was recorded using a Roland TB-303, and reflects the fast-shifting momentum of the film by incorporating fragmented elements of acid house, Chicago house and Detroit techno that shift after their brief appearances, thus contributing to an intricately layered style. The film was released by Virgin Video Music in 1989 and became influential on other film-makers, although the soundtrack itself did not initially receive its own release. Over the years, the music proved influential on other producers, including Squarepusher and Aphex Twin. The latter released the soundtrack on CD and vinyl for the first time in January 2003 on his Rephlex label, which had been inspired by the music. The album received positive reviews for its early acid techno sound and was hailed as innovative. It was followed by another release of early Brian Dougans music, Sessions 84-88, later that year.
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