Eli Keszler

rdf:langString Eli Keszler

rdf:langString Eli Keszler

rdf:langString Eli Keszler

rdf:langString right

rdf:langString

rdf:langString Experimental

rdf:langString ambient

rdf:langString avant-garde jazz

rdf:langString sound art

rdf:langString Percussion, guitar, etc.

rdf:langString Pan Records, REL Records, NNA Tapes, Forced Exposure, ESP-Disk, Dancing Wayang, Rare Youth Records, Lucky Me

rdf:langString yes

rdf:langString Composer, visual artist, multi-instrumentalist

rdf:langString early 2000s–present

rdf:langString Eli Keszler is an American percussionist, composer, and visual artist based in New York City. Known for his complex and intricate style of drumming, as well creating sound installations involving piano wire and other mechanisms to accompany his live performances, his shows have involved visual elements such as Keszler's drawings, diagrams, screen prints, and writings. In 2012, Pitchfork wrote that "Keszler deserves recent attention for his large-scale sound art installations, which not only force musical ideas to interact with an acoustic environment but, in turn, for flesh-and-bone musicians to interact with both of them." Keszler has also toured or collaborated with artists such as Tony Conrad, Jandek, Loren Connors, the Iceland Symphony Orchestra and Oneohtrix Point Never, and has released several solo albums since 2008. The most recent, Alps in 2014, was a collaboration with guitarist Oren Ambarchi. In 2012 Keszler debuted a sound installation project where he mounted wires up to 800 feet long off the Manhattan Bridge. He has had exhibitions of his visual work, installations and performances at museums and galleries such as the Victoria & Albert Museum, The Kitchen, South London Gallery, LUMA Foundation, Tectonics Festival in Reykjavik, Centraal Museum in Utrecht, and Boston Center for the Arts. He and David Grubbs recently debuted a piece at the MIT List Center. He composed the soundtrack for the 2021 horror-thriller The Scary of Sixty-First.