Edson Zampronha

http://dbpedia.org/resource/Edson_Zampronha an entity of type: Thing

Edson Zampronha (Río de Janeiro, 2 de junio de 1963) es un compositor brasileño de familia italiana, su lenguaje musical contemporáneo ha llegado a un amplio público por su propuesta de un renacimiento de la sensibilidad en la música clásica actual que se consolida a través de una renovación del lenguaje armónico y de la reintroducción de la retórica en la construcción de la forma y del discurso musical. rdf:langString
Edson Zampronha (born June 2, 1963) is a Brazilian composer dedicated to contemporary experimental music. His works include pieces for orchestra, symphonic band, electroacoustic music, chamber music, sound installations, interactive works and music for films. His music makes an extensive use of rhetoric strategies to create new forms of musical tensions and musical discourses. His research focus on musical signification and it takes semiotics, music theory and technology as backgrounds. rdf:langString
rdf:langString Edson Zampronha
rdf:langString Edson Zampronha
rdf:langString Edson Zampronha
rdf:langString Edson Zampronha
xsd:integer 22384657
xsd:integer 1063595226
rdf:langString Edson Zampronha (Río de Janeiro, 2 de junio de 1963) es un compositor brasileño de familia italiana, su lenguaje musical contemporáneo ha llegado a un amplio público por su propuesta de un renacimiento de la sensibilidad en la música clásica actual que se consolida a través de una renovación del lenguaje armónico y de la reintroducción de la retórica en la construcción de la forma y del discurso musical.
rdf:langString Edson Zampronha (born June 2, 1963) is a Brazilian composer dedicated to contemporary experimental music. His works include pieces for orchestra, symphonic band, electroacoustic music, chamber music, sound installations, interactive works and music for films. His music makes an extensive use of rhetoric strategies to create new forms of musical tensions and musical discourses. His research focus on musical signification and it takes semiotics, music theory and technology as backgrounds.
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