Ecopoetry

rdf:langString Ecopoetry

rdf:langString Ecopoetry is poetry with a strong ecological emphasis or message. Many poets, poems and books of poems have expressed ecological concerns; but only recently has the term ecopoetry gained use. There is now, in English-speaking poetry, a recognisable subgenre of ecopoetry. Prior to the term, a number of poems had ecological messages. Although these poets did not mention the word, they were clearly 'Ecopoetic' in stance and exerted an influence on the subsequent subgenre. Examples include: the book Ecopoemas of Nicanor Parra (1982), The White Poem by Jay Ramsay & Carole Bruce (Rivelin Grapheme Press, 1988), Bosco (Hearing Eye, 1999; 2001) and (more recently) Heavy Water: a poem for Chernobyl (Enitharmon Press, 2004).Early publications also include The Green Book of Poetry by Ivo Mosley (1995, Frontier Publishing and Harper San Francisco, 1996 as Earth Poems ). It includes over three hundred poems from around the world, many translated by Mosley, and helped to define and establish the genre. One of a number of seminal texts helping to introduce the term into wider, critical use was Ecopoetry: a Critical Introduction edited by J. Scott Bryson (2002). Another example of the burgeoning use of the term at the millennial turn was the journal , which broadened the term from poetry into poiesis interpreted as making or writing more generally. One of the fundamental premises of Ecopoetics is derived from an ideological perspective that desires the conception of difference or alterity as non-oppositional; we are challenged to view things in relation. Meaning the writing is made of an ecosystem. The writing is distinctive in that its characteristics relate to one another. Since then, a spate of poetry anthologies and books has appeared, either employing the word explicitly or using the idea as a guiding principle. Recent instances include Alice Oswald's The Thunder Mutters (2005), Forrest Gander & John Kinsella's Redstart: an Ecological Poetics, and the ground-breaking Earth Shattering: Ecopoems, edited by Neil Astley at Bloodaxe Books (2007). One of the chief characteristics of ecopoetry, as defined by James Engelhardt, is that it is connected to the world in a way that implies responsibility. As with other models that explore and assume engagement (Marxism, feminism, etc.), Ecopoetry is "surrounded by questions of ethics". As a means of describing poetry or poetic projects that embrace the ecological imperative for personal sensitivity and social change, ecopoetry has been cited by such writers as John Burnside and Mario Petrucci.