Douro, Faina Fluvial
http://dbpedia.org/resource/Douro,_Faina_Fluvial an entity of type: Thing
Douro, Faina Fluvial, parfois traduit Douro, travail fluvial, Douro, activité fluviale ou encore Douro, labeurs riverains, est un documentaire court portugais réalisé par Manoel de Oliveira, sorti en 1931.
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Douro, Faina Fluvial adalah sebuah film dokumenter Portugal dirilis pada tahun 1931. Film pendek ini disutradarai oleh Manoel de Oliveira.
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«Работы на реке Дору», также — «Дору, тяжёлый труд на реке» (порт. «Douro, Faina Fluvial») — короткометражный документальный фильм старейшего португальского режиссёра Мануэля де Оливейра, снятый в 1931 году. К столетию кино была подготовлена версия Португальского общества кинематографистов (Sociedade Portuguesa De Actualidades Cinematográficas LDA, 1994).
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Douro, Faina Fluvial é uma curta-metragem documental muda de 1931, realizada por Manoel de Oliveira. A primeira obra cinematográfica de Oliveira, o filme retrata a a zona ribeirinha do Porto, bem como a indústria e trabalhadores dedicados à faina do Douro. O filme é influenciado pela estética vanguardista do documentário soviético, praticada por Dziga Vertov, que Oliveira aqui adopta não como ditames ideológicos mas ao gosto pessoal, o que confere originalidade à obra.
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Douro, Faina Fluvial (Labor on the Douro River) is a 1931 Portuguese documentary short film. It was the first film directed by Manoel de Oliveira and is a portrait of his hometown of Porto and the labor and industry that takes place along the city's main river, the Douro River. It was first shown at the International Congress of Film Critics in Lisbon on 19 September 1931, where the majority of the Portuguese audience booed. However, other foreign critics and artists who were in attendance praised the film, such as Luigi Pirandello and Émile Vuillermoz. Oliveira re-edited the film with a new soundtrack and re-released it in 1934. Again in 1994, Oliveira modified the film by adding a new, more avant-garde soundtrack by Luís de Freitas Branco.
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Douro, Faina Fluvial
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Douro, Faina Fluvial
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Douro, Faina Fluvial
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Douro, Faina Fluvial
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Работы на реке Дору
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Douro, Faina Fluvial
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Douro, Faina Fluvial
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33773333
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1095307423
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Portugal
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Silent
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Manoel de Oliveira
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1931-09-19
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1260.0
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Douro, Faina Fluvial (Labor on the Douro River) is a 1931 Portuguese documentary short film. It was the first film directed by Manoel de Oliveira and is a portrait of his hometown of Porto and the labor and industry that takes place along the city's main river, the Douro River. It was first shown at the International Congress of Film Critics in Lisbon on 19 September 1931, where the majority of the Portuguese audience booed. However, other foreign critics and artists who were in attendance praised the film, such as Luigi Pirandello and Émile Vuillermoz. Oliveira re-edited the film with a new soundtrack and re-released it in 1934. Again in 1994, Oliveira modified the film by adding a new, more avant-garde soundtrack by Luís de Freitas Branco. Oliveira was influenced by German filmmaker Walther Ruttmann's documentary Berlin: Symphony of a City, and Douro, Faina Fluvial was made in the same genre of city symphony films.
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Douro, Faina Fluvial, parfois traduit Douro, travail fluvial, Douro, activité fluviale ou encore Douro, labeurs riverains, est un documentaire court portugais réalisé par Manoel de Oliveira, sorti en 1931.
rdf:langString
Douro, Faina Fluvial adalah sebuah film dokumenter Portugal dirilis pada tahun 1931. Film pendek ini disutradarai oleh Manoel de Oliveira.
rdf:langString
«Работы на реке Дору», также — «Дору, тяжёлый труд на реке» (порт. «Douro, Faina Fluvial») — короткометражный документальный фильм старейшего португальского режиссёра Мануэля де Оливейра, снятый в 1931 году. К столетию кино была подготовлена версия Португальского общества кинематографистов (Sociedade Portuguesa De Actualidades Cinematográficas LDA, 1994).
rdf:langString
Douro, Faina Fluvial é uma curta-metragem documental muda de 1931, realizada por Manoel de Oliveira. A primeira obra cinematográfica de Oliveira, o filme retrata a a zona ribeirinha do Porto, bem como a indústria e trabalhadores dedicados à faina do Douro. O filme é influenciado pela estética vanguardista do documentário soviético, praticada por Dziga Vertov, que Oliveira aqui adopta não como ditames ideológicos mas ao gosto pessoal, o que confere originalidade à obra.
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2231
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1931-09-19
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1260.0