Doedelzak

rdf:langString Doedelzak

rdf:langString Doedelzak is the name for bagpipes in the Netherlands and the Flemish (Dutch) speaking northern part of Belgium. This is the region where painter Pieter Bruegel the Elder lived and worked. Formerly pijpzak and moezelzak were common. The latter two names, generic at one time, survive in the piposa (pipe au sac) from Picardy and muchosa (muse au sac) in the actual Belgian province of Hainaut. According to certain sources, muse once was the earliest generic name for this family of instruments in a large part of Europe and survives itself in the actual French generic name of cornemuse for all bagpipes. The term pijpzak refers to a type of two-droned Flemish bagpipe, as portrayed in the artwork of Pieter Bruegel the Elder and many others. The instrument is held rather in front of the player than under the arm, as can be seen on the painting on top of this article. The two drone pipes, which have single reeds and are typically a fifth apart, are in the same stock and face directly up or slightly forward, depending on the individual position of the piper. The chanter has a conical pierce and a double reed.