Design for Dreaming

http://dbpedia.org/resource/Design_for_Dreaming an entity of type: Thing

Design for Dreaming is a 1956 industrial short or sponsored film produced to accompany the General Motors Motorama show that year. A ballet with voiceover dialogue, it features a woman (danced by Tad Tadlock and voiced by Marjorie Gordon) who dreams about a masked man (danced by Marc Breaux and sung by Joseph Lautner) taking her to the Motorama at the Waldorf-Astoria Hotel and to Frigidaire's "Kitchen of the Future". In the late 20th century the film emerged as a cult classic, appreciated as an epitome of mid-century corporate futurism. rdf:langString
rdf:langString Design for Dreaming
rdf:langString Design for Dreaming
rdf:langString Design for Dreaming
xsd:integer 6999518
xsd:integer 1102069950
rdf:langString
rdf:langString Rex C. Wimpy
rdf:langString Stanley Meredith
rdf:langString Victor D. Solow
rdf:langString United States
rdf:langString Victor D. Solow
rdf:langString Reva Schlesinger
rdf:langString English
rdf:langString Sol Kaplan
rdf:langString Victor D. Solow
rdf:langString
rdf:langString Marjorie Gordon
rdf:langString Joseph Lautner
rdf:langString Marc Breaux
rdf:langString Thelma Tadlock
rdf:langString MPO Productions
rdf:langString Joseph March
rdf:langString Design for Dreaming is a 1956 industrial short or sponsored film produced to accompany the General Motors Motorama show that year. A ballet with voiceover dialogue, it features a woman (danced by Tad Tadlock and voiced by Marjorie Gordon) who dreams about a masked man (danced by Marc Breaux and sung by Joseph Lautner) taking her to the Motorama at the Waldorf-Astoria Hotel and to Frigidaire's "Kitchen of the Future". The film begins in the woman's bedroom, with the masked man suddenly appearing. He then takes her to the Motorama. After looking at several cars including Buick, Chevrolet Corvette, Oldsmobile, and Cadillacs, she is taken to the "kitchen of the future", where she bakes a cake. She then goes back to the Motorama and dances the "dance of tomorrow". After looking at more cars, she and her masked man (who unmasks himself) travel on the "road of tomorrow" in the "Firebird II." In the late 20th century the film emerged as a cult classic, appreciated as an epitome of mid-century corporate futurism.
xsd:nonNegativeInteger 6949

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