Deb Margolin
http://dbpedia.org/resource/Deb_Margolin an entity of type: Thing
Deb Margolin is an American performance artist and playwright. She came to prominence in the 1980s in the feminist political theatre troupe Split Britches, which she co-founded with Lois Weaver and Peggy Shaw. Margolin has since created a string of one-woman shows. A compilation of her texts, Of All The Nerve: Deb Margolin SOLO, was published in 1999 by Cassell/Continuum Press. Literary theorist Lynda Hart edited and wrote a commentary on each piece.
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Deb Margolin
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Deb Margolin
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Deb Margolin
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Performance artist and playwright
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Deb Margolin is an American performance artist and playwright. She came to prominence in the 1980s in the feminist political theatre troupe Split Britches, which she co-founded with Lois Weaver and Peggy Shaw. Margolin has since created a string of one-woman shows. A compilation of her texts, Of All The Nerve: Deb Margolin SOLO, was published in 1999 by Cassell/Continuum Press. Literary theorist Lynda Hart edited and wrote a commentary on each piece. Margolin was the recipient of a 1999-2000 Obie Award for Sustained Excellence in Performance. In 2005, Margolin won the Joseph Kesselring Prize for her play, Three Seconds in the Key, a multi-character play which reflected her own experiences with Hodgkin's Disease. She currently teaches playwrighting and performance as an associate professor at Yale University. Her work includes O Yes I Will, a detailed account of her experiences and insights on being under general anaesthesia. Margolin was forced to revise her 2010 play Imagining Madoff after legal threats from Elie Wiesel, who is one of Bernard Madoff's victims and had called Madoff a "scoundrel" but had refused to allow a character representing him and using his name to be used in the play. In the 1990s, Margolin participated in the Zale-Kimmerling Writer in Residence program at Tulane University in New Orleans, LA. She later donated a large quantity of her personal materials such as journals, manuscripts, newspaper articles, flyers, ephemera, poetry, and correspondence to the Newcomb Archives at Tulane in August, 2018, forming the Deb Margolin Collection which spanned from the years of 1970 to 2016. In the Spring of 2020, an exhibit was later shown at Tulane University entitled "Deb Margolin's Performance Composition: Writing and Embodying" which focused on Margolin's process of performance composition by displaying her notes and writing (both handwritten and typed) from her time as a university professor, actor, and playwright.
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