David Inshaw

http://dbpedia.org/resource/David_Inshaw an entity of type: Thing

David Inshaw (born 21 March 1943 in Wednesfield, Staffordshire, England) is a British artist who sprang to public attention in 1973 when his painting The Badminton Game was exhibited at the ICA Summer Studio exhibition in London. The painting was subsequently acquired by the Tate Gallery and is one of several paintings from the 1970s that won him critical acclaim and a wide audience. Others include The Raven, Our days were a joy and our paths through flowers, She did not turn, The Cricket Game, Presentiment and The River Bank (Ophelia). rdf:langString
David Inshaw (né le 21 mars 1943 à (en), Staffordshire, Angleterre) est un artiste britannique qui a attiré l’attention du public en 1973 lorsque sa peinture (en) a été exposée à l’exposition ICA Summer Studio à Londres. Le tableau a ensuite été acquis par la galerie Tate, et est l’un des nombreux tableaux des années 1970 qui lui ont valu une reconnaissance critique et un large public, comme Le Corbeau, Nos jours ont été une joie et nos chemins à travers les fleurs, Elle n’a pas tourné, Le Jeu de Criquet, Présentiment et (en). rdf:langString
David Inshaw, född 21 mars 1943 i Wednesfield, Staffordshire, är en engelsk målare. Han är utbildad vid Beckenham school of art och Royal academy schools. År 1971 flyttade han till Devizes i Wiltshire där han har förblivit bosatt. År 1975 var han en av grundarna av gruppen Brotherhood of ruralists, sju konstnärer som alla var uppvuxna i stadsmiljö men hade flyttat ut på landet. Gruppens medlemmar förenades i sitt höga värderande av figurativa motiv och hantverkstradition. De uppträdde tillsammans fram till 1983. Inshaw blev under denna tid rikskänd för sina landskapsbilder med utplacerade människor och gåtfull laddning. Hans mest kända målning är The badminton game från 1972–1973 som köptes av Tate gallery 1980. rdf:langString
rdf:langString David Inshaw
rdf:langString David Inshaw
rdf:langString David Inshaw
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rdf:langString David Inshaw: Recent Paintings and Prints. Arnolfini Gallery, Bristol.
rdf:langString Summer with the Brotherhood, a BBC documentary produced and directed by John Read.
rdf:langString David Inshaw: Paintings, Collages, Pastels and Drawings. Waddington Galleries, London.
rdf:langString The Mystical West, episode six of the BBC series A Picture of Britain, presented by David Dimbleby.
rdf:langString Between Dreaming and Waking, a film for the BBC's Arena series directed by Geoffrey Haydon.
rdf:langString David Inshaw: New Paintings. The Fine Art Society, London.
rdf:langString David Inshaw: Recent Paintings. Theo Waddington Fine Art, London.
rdf:langString Summer Studio. Institute of Contemporary Arts, London.
rdf:langString Art of the Garden. Tate Britain, London.
rdf:langString David Inshaw. Arnolfini Gallery, Bristol.
rdf:langString David Inshaw. Nishimura Gallery, Tokyo, Japan.
rdf:langString David Inshaw. Waddington Galleries, London.
rdf:langString David Inshaw: Moments of Vision . Agnew's, London.
rdf:langString David Inshaw: Paintings and Drawings. Trinity College, Cambridge.
rdf:langString The Definitive Nude. Tate Gallery, London.
rdf:langString Young Contemporaries. RBA Galleries, London.
rdf:langString David Inshaw: Looking Back, Looking Forward. The Saatchi Gallery, London.
rdf:langString Friends and Influences. Royal West of England Academy, Bristol.
rdf:langString Paintings by David Inshaw. The Fine Art Society, London.
rdf:langString David Inshaw: A Vision of Landscape. The Redfern Gallery, London.
rdf:langString David Inshaw: West Bay Beatitudes. Sladers Yard, West Bay, Dorset.
rdf:langString David Inshaw: Between Dreaming and Waking. The Millinery Works, London.
rdf:langString The Brotherhood of Ruralists. Royal Academy Summer Exhibition, London.
rdf:langString Hidden Paintings of the West, a BBC documentary about The Badminton Game, presented by Laurence Llewelyn-Bowen.
rdf:langString David Inshaw: Paintings from 1965 to 2005. Narborough Hall, Norfolk.
rdf:langString David Inshaw. Annandale Gallery, Sydney, Australia.
rdf:langString David Inshaw: Recent Paintings. Sladers Yard, West Bay, Dorset.
rdf:langString David Inshaw. Brighton Museum & Art Gallery, Sussex.
rdf:langString Private Landscapes, a BBC documentary produced by John Carlaw and directed by Keith Shearer.
rdf:langString David Inshaw: Recent Paintings and Drawings. Theo Waddington Fine Art, London.
rdf:langString David Inshaw (born 21 March 1943 in Wednesfield, Staffordshire, England) is a British artist who sprang to public attention in 1973 when his painting The Badminton Game was exhibited at the ICA Summer Studio exhibition in London. The painting was subsequently acquired by the Tate Gallery and is one of several paintings from the 1970s that won him critical acclaim and a wide audience. Others include The Raven, Our days were a joy and our paths through flowers, She did not turn, The Cricket Game, Presentiment and The River Bank (Ophelia).
rdf:langString David Inshaw (né le 21 mars 1943 à (en), Staffordshire, Angleterre) est un artiste britannique qui a attiré l’attention du public en 1973 lorsque sa peinture (en) a été exposée à l’exposition ICA Summer Studio à Londres. Le tableau a ensuite été acquis par la galerie Tate, et est l’un des nombreux tableaux des années 1970 qui lui ont valu une reconnaissance critique et un large public, comme Le Corbeau, Nos jours ont été une joie et nos chemins à travers les fleurs, Elle n’a pas tourné, Le Jeu de Criquet, Présentiment et (en).
rdf:langString David Inshaw, född 21 mars 1943 i Wednesfield, Staffordshire, är en engelsk målare. Han är utbildad vid Beckenham school of art och Royal academy schools. År 1971 flyttade han till Devizes i Wiltshire där han har förblivit bosatt. År 1975 var han en av grundarna av gruppen Brotherhood of ruralists, sju konstnärer som alla var uppvuxna i stadsmiljö men hade flyttat ut på landet. Gruppens medlemmar förenades i sitt höga värderande av figurativa motiv och hantverkstradition. De uppträdde tillsammans fram till 1983. Inshaw blev under denna tid rikskänd för sina landskapsbilder med utplacerade människor och gåtfull laddning. Hans mest kända målning är The badminton game från 1972–1973 som köptes av Tate gallery 1980.
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