David Brimmer

http://dbpedia.org/resource/David_Brimmer an entity of type: Thing

David Brimmer is an American voice actor and fight choreographer. He also goes by the names David J. Brimmer and J. David Brimmer. As a voice actor, he has worked for 4Kids Entertainment, Central Park Media, DuArt Film and Video, Headline Studios, NYAV Post, and TAJ Productions. Brimmer's approach to fight choreography focuses on the reality of pain; an often overlooked element to stage and Hollywood fights. In his classes, students are asked to live through the situation of hurting or getting hurt. Warm up exercises include "Mike Ball," "Assassins," and "The Poison-Arm Samurai." rdf:langString
rdf:langString David Brimmer
rdf:langString David Brimmer
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rdf:langString David Brimmer is an American voice actor and fight choreographer. He also goes by the names David J. Brimmer and J. David Brimmer. As a voice actor, he has worked for 4Kids Entertainment, Central Park Media, DuArt Film and Video, Headline Studios, NYAV Post, and TAJ Productions. Brimmer has been choreographing violence in New York City, as well as in regional theaters around the country for over 20 years: from the current national tour of Jekyll & Hyde and the Off-Broadway productions of Bug and Killer Joe to the Joseph Papp Public Theater's Blood Wedding. His choreography has been nominated for a for Excellence in Theater and his work is currently on file at the Lincoln Center for the Performing Arts. Recently he choreographed the violence in the musical Spring Awakening on Broadway He is the creator and current instructor of the stage combat program at New York University's (NYU) Tisch School of the Arts, and has taught at The Meisner Extension, the , the Stella Adler Conservatory, the Lee Strasberg Institute, the Playwrights Horizons Theater School, Atlantic Theater Company, and the Yale School of Drama. He is a former president of the (NYFE) and a member of the , holding the title of "Fight Master." Brimmer's approach to fight choreography focuses on the reality of pain; an often overlooked element to stage and Hollywood fights. In his classes, students are asked to live through the situation of hurting or getting hurt. Warm up exercises include "Mike Ball," "Assassins," and "The Poison-Arm Samurai."
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