Darmstadt School

rdf:langString Darmstadt School

rdf:langString Ielmini, David. 2012. "Orchestral Thoughts: Jazz Composition in Europe and America: An Interview with Composer-Director Giorgio Gaslini". In Eurojazzland: Jazz and European Sources, Dynamics, and Contexts, edited by Luca Cerchiari, Laurent Cugny, Franz Kerschbaumer, 235–252. Lebanon, New Hampshire: Northeastern University Press. .

rdf:langString Schleiermacher, Steffen. 2000. [Untitled essay], in booklet for Piano Music of the Darmstadt School, vol. 1, 18–21. English translation by Susan Marie Praeder, 4–7; French translation by Sylvie Gomez, 9–16. Steffen Schleiermacher, piano. CD recording, 1 disc: stereo, digital. MDG 613 1004-2. Detmold: Musikproduktion Dabringhaus und Grimm.

rdf:langString Priore, Irna. 2007. "Vestiges of Twelve-tone Practice as Compositional Process in Berio's Sequenza I for Solo Flute". In Berio's Sequenzas: Essays on Composition Performance Analysis and Analysis, edited by Janet K. Halfyard, with an introduction by David Osmond-Smith, 191–208. Aldershot: Ashgate Publishing, Ltd. .

rdf:langString Boehmer, Konrad. 1987. "The Sanctification of Misapprehension into a Doctrine: Darmstadt Epigones and Xenophobes". English translation by Sonia Prescod Jokel. Key Notes 24:43–47.

rdf:langString Whiting, John. 2009. "Henri Pousseur: Avant-garde Composer Seeking a Synthesis of Sound and Image". The Guardian .

rdf:langString Iddon, Martin. 2013. New Music at Darmstadt: Nono, Stockhausen, Cage, and Boulez. Music since 1900. Cambridge and New York: Cambridge University Press. ; .

rdf:langString Fox, Christopher. 2006. "Darmstadt School." Grove Music Online ed. L. Macy .

rdf:langString Henze, Hans Werner. 1982. Music and Politics: Collected Writings, 1953–1981. Translated by Peter Labanyi. Ithaca: Cornell University Press. .

rdf:langString Fox, Christopher. 1999. "Luigi Nono and the Darmstadt School". Contemporary Music Review 18/2: 111–130.

rdf:langString Malone, Gareth. 2011. Music for the People: The Pleasures and Pitfalls of Classical Music. London: Collins UK. .

rdf:langString Nono, Luigi. 1975. Texte, Studien zu seiner Musik Edited by J. Stenzl. Zürich and Freiburg im Breisgau: Atlantis-Verlag.

rdf:langString Olivier, Philippe. 2005. Pierre Boulez: Le maître et son marteau. Collection Points d'Orgue. Paris: Hermann Éditeurs des Sciences et des Artes. .

rdf:langString Schleiermacher, Steffen. 2004. [Untitled essay], in booklet for Piano Music of the Darmstadt School, vol. 2, 21–26. English translation by Susan Marie Praeder, 4–8; French translation by Sylvie Gomez, 10–19. Steffen Schleiermacher, piano. CD recording, 1 disc: stereo, digital. MDG 613 1005-2. Detmold: Musikproduktion Dabringhaus und Grimm.

rdf:langString Muller-Doohm, Stefan. 2005. Adorno: A Biography. Cambridge and Malden, Massachusetts: Polity Press. . Paperback reprint 2009. .

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rdf:langString March 2022

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rdf:langString Darmstadt School refers to a group of composers who were associated with the Darmstadt International Summer Courses for New Music (Darmstädter Ferienkurse) from the early 1950s to the early 1960s in Darmstadt, Germany, and who shared some aesthetic attitudes. Initially, this included only Pierre Boulez, Bruno Maderna, Luigi Nono, and Karlheinz Stockhausen, but others came to be added, in various ways. The term does not refer to an educational institution. Initiated in 1946 by Wolfgang Steinecke, the Darmstädter Ferienkurse, held annually until 1970 and subsequently every two years, encompass the teaching of both composition and interpretation and also include premières of new works. After Steinecke's death in 1961, the courses were run by (1962–81), Friedrich Ferdinand Hommel (1981–94), Solf Schaefer (1995–2009), and Thomas Schäfer (2009– ). Thanks to these courses, Darmstadt is now a major centre of modern music, particularly for German composers, and has been referred to as "the world epicenter for exploratory musical work, which was driven by a younger generation mostly engaged with new sound technology".