Daniel Bernardi

rdf:langString Daniel Bernardi

rdf:langString Daniel Bernardi

rdf:langString Daniel Bernardi

rdf:langString San Francisco State University, United States Navy Reserves, El Dorado Films

rdf:langString narrative theory, critical race theory

rdf:langString Helen Na

rdf:langString Daniel Leonard Bernardi (born June 16, 1964) is a professor of Cinema at San Francisco State University, founder and President of El Dorado Films and Commander in the United States Navy Reserve. Bernardi earned a Bachelor of Arts in Radio-TV (1984) and a Masters of Arts in Media Arts (1988) from the University of Arizona. He went on to earn a PhD in Film and Television Studies from UCLA (1994). He completed a University of California postdoctoral research fellowship in 1997. His main academic interests are media studies, narrative theory, critical race theory, and rumors as narrative IEDS. His work in media, which is perhaps most well known, emphasizes whiteness as a historical formation of meanings. Borrowing from Michael Omi and Howard Winant's theory of racial formation, he argues that whiteness is a historically powerful set of meanings that serves to either implicitly or explicitly dominate the shifting and reforming meaning of race in U.S. media. Bernardi is also a documentary filmmaker. His current body of work focuses on telling the veteran story. One of his more recent films, The American War (2018), tells the story of the Vietnam War from the perspective of the Vietcong. Another used discovered archival footage to tell the story of first World War, and is titled The War to End all Wars. Both films are distributed by Journeyman Pictures.