Cyberpunk (album)

http://dbpedia.org/resource/Cyberpunk_(album) an entity of type: Thing

Cyberpunk es el quinto álbum de estudio de Billy Idol. Se trata de un álbum conceptual publicado en 1993 por Chrysalis Records, donde Idol experimentó con sonidos sintetizados basándose en la corriente del rock industrial. La crítica especializada prácticamente destrozó el álbum, tildándolo de "demasiado pretencioso". rdf:langString

Cyberpunk est le cinquième album studio du chanteur de britannique Billy Idol. Il s'agit d'un album-concept sorti en 1993 chez Chrysalis Records. rdf:langString

《Cyberpunk》는 1993년 6월 29일에 발매된 빌리 아이돌의 음반이다. 크리설리스 레코드에 의해 발매되었다. rdf:langString

Cyberpunk è il quinto album del cantante britannico Billy Idol, uscito nel 1993. Ispirato al filone fantascientifico omonimo, fu lanciato dai singoli Shock to the system e Wasteland. Contiene anche Heroin, cover del celebre motivo dei Velvet Underground. L'album è composto effettivamente da 13 canzoni, collegate tra di loro da alcune brevi tracce, alcune delle quali con soli effetti sonori e parlati. Sono la numero 1, 3, 9, 12, 15, 18, 20. rdf:langString

Cyberpunk – album koncepcyjny brytyjskiego wykonawcy rockowego Billy Idola, w zamierzeniu artysty utrzymany w konwencji cyberpunkowej. Wydany w czerwcu 1993 roku nakładem wytwórni Chrysalis Records, spotkał się z chłodnym i negatywnym przyjęciem fanów i krytyki. rdf:langString

Cyberpunk är ett konceptalbum av Billy Idol. Det utkom 1993 och innehåller 20 spår, varav 13 stycken låtar och 7 stycken mellanspår utan titel. Billy skapade mycket av albumets material själv med hjälp av den Macintoshdator som han hade i sin hemmastudio, och spelade själv en del av instrumenten. Låten "Shock to the System" blev en mindre hit i flera länder och lanserades även som musikvideo. Låten "Adam in Chains" blev en hit i Frankrike och Polen, och det gjordes också en musikvideo till den. rdf:langString

Cyberpunk is the fifth studio album by English rock musician Billy Idol, released on 29 June 1993 by Chrysalis Records. A concept album, it was inspired by his personal interest in technology and his first attempts to use computers in the creation of his music. Idol based the album on the cyberdelic subculture of the late 1980s and early 1990s. Heavily experimental in its style, the album was an attempt to take control of the creative process in the production of his albums, while simultaneously introducing Idol's fans and other musicians to the opportunities presented by digital media. rdf:langString

Cyberpunk — концептуальный студийный альбом английского рок-музыканта Билли Айдола, выпущенный на лейбле Chrysalis Records в 1993 году. Музыкант проявлял интерес к новым технологиям и первым попыткам использовать компьютер для создания музыки, а за основу альбома взял киберделическую субкультуру конца 80-х — начала 90-х годов. Чрезвычайно экспериментальный по своей сути, альбом стал попыткой Билли Айдола взять контроль над созданием дисков, выходящих под его именем, и одновременно показал поклонникам и музыкантам возможности компьютера при написании песен. rdf:langString

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rdf:langString Cyberpunk (álbum)

rdf:langString Cyberpunk (album)

rdf:langString Cyberpunk (음반)

rdf:langString Cyberpunk (album)

rdf:langString Cyberpunk (álbum)

rdf:langString Cyberpunk (альбом)

rdf:langString Cyberpunk (musikalbum)

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rdf:langString Cyberpunk

rdf:langString Cyberpunk: Shock to the System

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rdf:langString Billy Idol and Mark Younger-Smith, except where noted

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rdf:langString Cyberpunk: Shock to the System box cover. The tagline reads: "Outlaw Tech. Rebel Science. Information is the ammunition,your mind is the target." Cover art by Mark Frauenfelder.

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rdf:langString BillyIdolCyberpunk.jpg

rdf:langString Cyberpunk- Shock to the System.jpg

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rdf:langString Sample of "Wasteland", the second track from the album. The lyrics of "Wasteland" reference computer hacking and high technology. The lyric "no religion at all" was later used as the title of Idol's 1993 European tour: the No Religion Tour.

rdf:langString Sample of "Heroin", the eleventh track from the album. Idol's high-tempo, dance interpretation of the song by The Velvet Underground includes a lyric from Patti Smith's cover version of "Gloria".

rdf:langString Sample of "Shock to the System", the fourth track from the album. The sample illustrates the influence of the Los Angeles riots of 1992 on the lyrics. A sound clip of an electric current is used as a play on the phrase "shock".

rdf:langString Sample of "Adam in Chains", the sixth track from the album. An ethereal song divided in two sections: the first part consists of a voice coaxing the listener through a hypnotic exercise; the remainder of the song consists of Idol singing in a melodious, slow tempo.

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rdf:langString Billy Idol - Adam in Chains.ogg

rdf:langString Billy Idol - Heroin.ogg

rdf:langString Billy Idol - Shock To The System.ogg

rdf:langString Billy Idol - Wasteland.ogg

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rdf:langString * Rock * electronica

rdf:langString * Electronic rock * electronica * hard rock * new wave * post-punk * dance

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rdf:langString Billy Idol: The Charmed Life and Other Vital Videos

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xsd:integer 1990

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rdf:langString Robin Hancock

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rdf:langString What the profusion, or lack, of cyberpunk definitions seems to suggest is that either individual cyberpunks have some fairly clear sense of why they are a participant in alt.cyberpunk, but cannot reach consensus, or that they do not have any clear idea, and are just riding a trend or looking for a prepackaged image. Undoubtedly, there are alt.cyberpunks of both types.

rdf:langString As we get set to address a new millennium, science and technology are becoming the new weapons of change, and who better to arm you for the future battle than BILLY IDOL.

rdf:langString CD-ROM, which allows computers to supersede compact disc players, is the next step for savvy musicians on the cutting edge.

rdf:langString Every counter-culture is, for a brief initial period, the sole domain of a handful of founding elites who inevitably find a certain sense of superiority in the exclusive nature of their undertaking. The 'cyberpunk' movement – term used as loosely as it was intended to be – takes a particularly hypocritical stance in this case since the principle messages of the movement have been aimed at a loosening, opening-up and liberating attitude toward information and the use of tech.

rdf:langString I was always very interested in the Internet... It [Cyberpunk] was really all about the effects the Internet would have on us.

rdf:langString I was really waiting for this to happen... Way back in the '90s. People didn't even think about computers back when I was a little kid. And now the whole world is a global village, for Christ's sake.

rdf:langString Billy and I were both really influenced by 'Neuromancer'... We both loved the ideas and the technology. Billy really wanted to create something that would parallel that world.

rdf:langString I threw off the shackles of the past... I was looking for a way to break the stalemate I'd gotten into, which was boring me to death, really.

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rdf:langString April 1992 – January 1993

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xsd:date 1993-06-29

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rdf:langString Rolling Stone

rdf:langString Christgau's Consumer Guide

rdf:langString Entertainment Weekly

rdf:langString NME

rdf:langString Spin Alternative Record Guide

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rdf:langString C−

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rdf:langString B+

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rdf:langString Mark Younger-Smith

rdf:langString Billy Idol

rdf:langString Billy Idol, "Billy Idol Goes Back To the Future".

rdf:langString Cyberpunk press release, Chrysalis Records.

rdf:langString Julie Romandetta

rdf:langString Shawn P. Wilbur, "Running Down the Meme".

rdf:langString A post to The WELL and alt.cyberpunk, quoted by Gareth Branwyn.

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rdf:langString Billy Idol's home studio ; Ameraycan Studios ; Golgotha Studio .

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rdf:langString Heroin

rdf:langString Venus

rdf:langString Mother Dawn

rdf:langString Shock to the System

rdf:langString Untitled

rdf:langString Recap

rdf:langString Wasteland

rdf:langString Adam in Chains

rdf:langString Neuromancer

rdf:langString Shangrila

rdf:langString Tomorrow People

rdf:langString Concrete Kingdom

rdf:langString Love Labours On

rdf:langString Power Junkie

rdf:langString Then the Night Comes

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rdf:langString Video

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rdf:langString "Timothy Leary Interviews Billy Idol – In Concert with The Ramones" , an interview discussing the Cyberpunk album for the ABC television show, In Concert, hosted by the Internet Archive.

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rdf:langString Idol

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rdf:langString Hancock

rdf:langString Robin Hancock

rdf:langString Gareth Branwyn, edited with additions by Idol, used under license from "Is There a Cyberpunk Movement?"

rdf:langString Ace Mackay-Smith

rdf:langString Greg Stump

rdf:langString Younger-Smith

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rdf:langString Cyberpunk is the fifth studio album by English rock musician Billy Idol, released on 29 June 1993 by Chrysalis Records. A concept album, it was inspired by his personal interest in technology and his first attempts to use computers in the creation of his music. Idol based the album on the cyberdelic subculture of the late 1980s and early 1990s. Heavily experimental in its style, the album was an attempt to take control of the creative process in the production of his albums, while simultaneously introducing Idol's fans and other musicians to the opportunities presented by digital media. The album featured a cyberpunk-styled narrative, as well as synthesised vocals and industrial influences. Despite its critical and commercial failure, Billy Idol set several precedents in the process of promoting the album. These included his use of the Internet, e-mail, virtual communities, and multimedia software, each a first for a mainstream celebrity. Idol also based his fashion style, music videos, and stage shows on cyberpunk themes and aesthetics. Released to negative reviews, Cyberpunk polarised internet communities of the time, with detractors viewing it as an act of cooptation and opportunistic commercialisation. It was also seen as part of a process that saw the overuse of the term "cyberpunk" until it lost its original meaning. Alternatively, supporters saw Idol's efforts as harmless and well-intentioned, and were encouraged by his new interest in cyberculture.

rdf:langString Cyberpunk es el quinto álbum de estudio de Billy Idol. Se trata de un álbum conceptual publicado en 1993 por Chrysalis Records, donde Idol experimentó con sonidos sintetizados basándose en la corriente del rock industrial. La crítica especializada prácticamente destrozó el álbum, tildándolo de "demasiado pretencioso".

rdf:langString Cyberpunk est le cinquième album studio du chanteur de britannique Billy Idol. Il s'agit d'un album-concept sorti en 1993 chez Chrysalis Records.

rdf:langString 《Cyberpunk》는 1993년 6월 29일에 발매된 빌리 아이돌의 음반이다. 크리설리스 레코드에 의해 발매되었다.

rdf:langString Cyberpunk è il quinto album del cantante britannico Billy Idol, uscito nel 1993. Ispirato al filone fantascientifico omonimo, fu lanciato dai singoli Shock to the system e Wasteland. Contiene anche Heroin, cover del celebre motivo dei Velvet Underground. L'album è composto effettivamente da 13 canzoni, collegate tra di loro da alcune brevi tracce, alcune delle quali con soli effetti sonori e parlati. Sono la numero 1, 3, 9, 12, 15, 18, 20.

rdf:langString Cyberpunk – album koncepcyjny brytyjskiego wykonawcy rockowego Billy Idola, w zamierzeniu artysty utrzymany w konwencji cyberpunkowej. Wydany w czerwcu 1993 roku nakładem wytwórni Chrysalis Records, spotkał się z chłodnym i negatywnym przyjęciem fanów i krytyki.

rdf:langString Cyberpunk är ett konceptalbum av Billy Idol. Det utkom 1993 och innehåller 20 spår, varav 13 stycken låtar och 7 stycken mellanspår utan titel. Billy skapade mycket av albumets material själv med hjälp av den Macintoshdator som han hade i sin hemmastudio, och spelade själv en del av instrumenten. Låten "Shock to the System" blev en mindre hit i flera länder och lanserades även som musikvideo. Låten "Adam in Chains" blev en hit i Frankrike och Polen, och det gjordes också en musikvideo till den.

rdf:langString Cyberpunk — концептуальный студийный альбом английского рок-музыканта Билли Айдола, выпущенный на лейбле Chrysalis Records в 1993 году. Музыкант проявлял интерес к новым технологиям и первым попыткам использовать компьютер для создания музыки, а за основу альбома взял киберделическую субкультуру конца 80-х — начала 90-х годов. Чрезвычайно экспериментальный по своей сути, альбом стал попыткой Билли Айдола взять контроль над созданием дисков, выходящих под его именем, и одновременно показал поклонникам и музыкантам возможности компьютера при написании песен. Для альбома характерно повествование в стиле киберпанк, синтез речи и влияние техно-музыки. Несмотря на то, что «Cyberpunk» провалился как в финансовом плане, так и в плане принятия критиками, Билли Айдол стал первой звездой мейнстрима, которая использовала необычные способы продвижения своего альбома, такие как Интернет, электронная почта и интернет-сообщества. Стиль самого Билли Айдола, его концертных выступлений и музыкальных клипов стали переплетаться с эстетикой киберпанка. «Cyberpunk» стал первым диском, в буклете которого был указан электронный адрес исполнителя: idol@well.sf.ca.us, который на данный момент неактивен. Альбом, релиз которого повлёк за собой резкую критику, разделил интернет-сообщества на два клана: участники первого считали, что деятельность музыканта подчинилась цели извлечения прибыли; приверженцы второго были воодушевлены новыми интересами Билли Айдола в области киберпанка и думали, что автор действует из лучших побуждений.

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