Come On (Earl King song)
http://dbpedia.org/resource/Come_On_(Earl_King_song) an entity of type: Thing
"Come On" (often called "Let the Good Times Roll") is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II” (Imperial 5713).
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Come On (souvent appelée Let the Good Times Roll) est une chanson écrite par l'artiste de R&B de la Nouvelle-Orléans Earl King. Il a d'abord enregistré la chanson sous le nom de Darling Honey Angel Child en 1960 pour la filiale d'Ace Records, Rex. Plus tard cette année-là, il l'a enregistré en tant que chanson en deux parties pour Imperial Records en utilisant de nouvelles paroles. Réintitulé Come On, le single est sorti en 1960 avec la première partie en face A et la seconde en face B (Imperial 5713).
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Come On (Earl King song)
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Come On (chanson de Earl King)
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Come On – Part I
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Come On – Part I
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"Come On – Part II"
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You're More to Me Than Gold
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1960
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1960
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1960-10-27
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Jimi Hendrix related articles
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single
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Earl King
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"Come On" (often called "Let the Good Times Roll") is a song written by New Orleans rhythm and blues artist Earl King. He first recorded the song as "Darling Honey Angel Child" in 1960 for the Ace Records subsidiary Rex. Later that year, he recorded it as a two-part song for Imperial Records using some new lyrics. Retitled "Come On", it was released in 1960 with "Come On – Part I” as the A-side backed with “Come On – Part II” (Imperial 5713). The song's lyrics are based on "Let the Good Times Roll", the 1946 jump blues hit by Louis Jordan and his Tympany Five. However, instrumentally, it is a showcase for guitar playing. Music writer John Perry compares it to Freddie King instrumentals, such as "Hide Away" and "The Stumble". He adds that it is performed in the "guitar-friendly key of E ... specifically designed to cram as many hot licks as possible into a single number". "Come On" did not appear in Billboard magazine's R&B record chart, but gained a higher profile due to Jimi Hendrix. The song was one of the earliest songs played by Hendrix, starting with high school bands at the Spanish Castle music club south of Seattle. In 1968, he recorded "Come On" with the Jimi Hendrix Experience for their third album, Electric Ladyland. Hendrix follows King's rhythm guitar parts, but performs the song at a faster tempo, giving the song a more rock feel. Bassist Noel Redding and drummer Mitch Mitchell also provide a more driving rhythm, which adds emphasis during Hendrix's guitar solo. It was the last song recorded for Electric Ladyland. According to Redding, "that was done to fill out the album ... We just played it live and they took it". In 1977, King re-recorded an updated version at Knight Studios in Metairie, Louisiana. Titled "Come On (Let the Good Times Roll)", it shows Hendrix's influence and was released by Sonet Records. Several other musicians have recorded renditions of the song, including Dr. John (as "Let the Good Times Roll" for Dr. John's Gumbo in 1972); Freddie King (Burglar, 1974); Anson Funderburgh and the Rockets (Talk To You By Hand, 1981); James Booker (as "Let the Good Times Roll" for Live from Belle Vue, 2015); Stevie Ray Vaughan (as "Come On (Part III)" for Soul to Soul, 1985); and the Steve Miller Band (Bingo!, 2010). Diesel recorded a version for his EP 7 Axes (2011). In 2013, Flo Rida included a part of the chorus, credited, in "Let it Roll", which also sampled Freddie King's 1974 recording. The song is included as a full-length performance by Snooks Eaglin with guest George Porter Jr. and house band in the 2005 documentary film Make It Funky!, which presents a history of New Orleans music and its influence on rhythm and blues, rock and roll, funk and jazz.
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Come On (souvent appelée Let the Good Times Roll) est une chanson écrite par l'artiste de R&B de la Nouvelle-Orléans Earl King. Il a d'abord enregistré la chanson sous le nom de Darling Honey Angel Child en 1960 pour la filiale d'Ace Records, Rex. Plus tard cette année-là, il l'a enregistré en tant que chanson en deux parties pour Imperial Records en utilisant de nouvelles paroles. Réintitulé Come On, le single est sorti en 1960 avec la première partie en face A et la seconde en face B (Imperial 5713). Les paroles de la chanson sont basées sur Let the Good Times Roll, une chanson de jump blues de 1946 par Louis Jordan et de son Tympany Five. Cependant, instrumentalement, la guitare est plus mise en avant. Le compositeur John Perry le compare aux instrumentaux de Freddie King, tels que Hide Away et The Stumble. Il ajoute qu'il est joué dans la "clé de mi ... spécialement conçue pour entasser autant de coups chauds que possible dans un seul numéro". Come On ne s'est pas classé à sa sortie, mais a acquis une plus grande visibilité grâce à Jimi Hendrix. La chanson a été l'une des premières chansons jouées par Hendrix, en commençant par des groupes de lycée au club de musique Spanish Castle au sud de Seattle. En 1968, il enregistre Come On avec le Jimi Hendrix Experience pour leur troisième album, Electric Ladyland. Hendrix suit les parties de guitare rythmique de King, mais interprète la chanson à un tempo plus rapide, donnant à la chanson une sensation plus rock. Le bassiste Noel Redding et le batteur Mitch Mitchell fournissent également un rythme plus entraînant, ce qui ajoute de l'emphase pendant le solo de guitare de Hendrix. C'était la dernière chanson enregistrée pour Electric Ladyland. Selon Redding, "cela a été fait pour remplir l'album... Nous l'avons juste joué en direct et ils l'ont pris". En 1977, Earl King réenregistra une version mise à jour aux Knight Studios de Metairie, en Louisiane. Intitulé Come On (Let the Good Times Roll), il montre l'influence de Hendrix et a été publié par Sonet Records. Plusieurs autres musiciens ont enregistré des interprétations de la chanson, y compris Dr. John (sous le nom de Let the Good Times Roll pour Dr. John's Gumbo en 1972); Freddie King (Cambrioleur, 1974); James Booker (sous le nom de Let the Good Times Roll pour Live from Belle Vue, 2015) et Stevie Ray Vaughan (sous le nom de Come On (Part III) pour Soul to Soul, 1985). En 2013, Flo Rida a inclus une partie du refrain, crédité, dans Let it Roll, qui a également échantillonné l'enregistrement de Freddie King en 1974.
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