Claire Zeisler

http://dbpedia.org/resource/Claire_Zeisler an entity of type: Thing

Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red. rdf:langString
rdf:langString Claire Zeisler
rdf:langString Claire Zeisler
rdf:langString Claire Zeisler
rdf:langString Chicago, Illinois
xsd:date 1991-09-30
rdf:langString Cincinnati, Ohio
xsd:date 1903-04-18
xsd:integer 3288742
xsd:integer 1120965523
xsd:date 1903-04-18
rdf:langString Claire Block
rdf:langString Zeisler circa 1980 with works from her Dimensional Fibers
xsd:date 1991-09-30
rdf:langString Chicago Institute of Design, Illinois Institute of Technology
rdf:langString Fiber Arts
rdf:langString American
xsd:integer 1921
xsd:integer 1943
xsd:integer 1946
rdf:langString
rdf:langString Ernest Zeisler
rdf:langString Harold Florsheim
rdf:langString Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red. Her work is influenced by and has influenced fiber artists in the 1960s and 70s such as Kay Sekimachi, Barbara Shawcroft, Lenore Tawney, Magdalena Abakanowicz, and Sheila Hicks. The resurgence of interest in fiber arts and macrame during the 2000's have inspired a new generation of knotters and creators, including Jim Olarte and Agnes Hansella.
rdf:langString Joan Florsheim Binkley
rdf:langString Peter Florsheim
rdf:langString Thomas Florsheim Sr.
xsd:nonNegativeInteger 15767
rdf:langString Claire Block

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