Claire Zeisler
http://dbpedia.org/resource/Claire_Zeisler an entity of type: Thing
Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red.
rdf:langString
rdf:langString
Claire Zeisler
rdf:langString
Claire Zeisler
rdf:langString
Claire Zeisler
rdf:langString
Chicago, Illinois
xsd:date
1991-09-30
rdf:langString
Cincinnati, Ohio
xsd:date
1903-04-18
xsd:integer
3288742
xsd:integer
1120965523
xsd:date
1903-04-18
rdf:langString
Claire Block
rdf:langString
Zeisler circa 1980 with works from her Dimensional Fibers
xsd:date
1991-09-30
rdf:langString
Chicago Institute of Design, Illinois Institute of Technology
rdf:langString
Fiber Arts
rdf:langString
American
xsd:integer
1921
xsd:integer
1943
xsd:integer
1946
rdf:langString
rdf:langString
Ernest Zeisler
rdf:langString
Harold Florsheim
rdf:langString
Claire Zeisler (April 18, 1903 – September 30, 1991) was an American fiber artist who expanded the expressive qualities of knotted and braided threads, pioneering large-scale freestanding sculptures in this medium. Throughout her career Zeisler sought to create "large, strong, single images" with fiber. Zeisler's non-functional structures were constructed using traditional weaving and avant-garde off the loom techniques such as square knotting, wrapping, and stitching. Zeisler preferred to work with natural materials such as jute, sisal, raffia, hemp, wool, and leather. The textiles were often left un-dyed, evidence of Zeisler's preference for natural coloration that emphasized the fiber itself. When she used color, however, Zeisler gravitated towards red. Her work is influenced by and has influenced fiber artists in the 1960s and 70s such as Kay Sekimachi, Barbara Shawcroft, Lenore Tawney, Magdalena Abakanowicz, and Sheila Hicks. The resurgence of interest in fiber arts and macrame during the 2000's have inspired a new generation of knotters and creators, including Jim Olarte and Agnes Hansella.
rdf:langString
Joan Florsheim Binkley
rdf:langString
Peter Florsheim
rdf:langString
Thomas Florsheim Sr.
xsd:nonNegativeInteger
15767
rdf:langString
Claire Block