Chen Chong Swee

http://dbpedia.org/resource/Chen_Chong_Swee an entity of type: Thing

Chen Chong Swee (simplified Chinese: 陈宗瑞; traditional Chinese: 陳宗瑞; pinyin: Chén Zōng Ruì) was a Singaporean watercolourist belonging to the pioneer generation of artists espousing the Nanyang-styled painting unique to Singapore, at the turn of the 20th century. He was also one of the first artists in Singapore to use Chinese ink painting techniques to render scenery and figurative paintings of local and Southeast Asian themes. rdf:langString
rdf:langString Chen Chong Swee
rdf:langString Chen Chong Swee
rdf:langString Chen Chong Swee
rdf:langString Singapore
xsd:date 1985-02-15
rdf:langString Swatow, China
xsd:date 1910-11-06
xsd:integer 12260549
xsd:integer 1018484360
rdf:langString Xinhua Academy of Fine Art, Shanghai
xsd:integer 1935 1965
xsd:date 1910-11-06
xsd:date 1985-02-15
rdf:langString Chen Chong Swee (simplified Chinese: 陈宗瑞; traditional Chinese: 陳宗瑞; pinyin: Chén Zōng Ruì) was a Singaporean watercolourist belonging to the pioneer generation of artists espousing the Nanyang-styled painting unique to Singapore, at the turn of the 20th century. He was also one of the first artists in Singapore to use Chinese ink painting techniques to render scenery and figurative paintings of local and Southeast Asian themes. Born in Swatow, Chen attended school at the Union High School in Swatow, China and graduated in 1929. He attended and graduated from Xinhua Academy of Fine Arts in 1931, and arrived in Singapore that same year. He taught art at various secondary schools, before becoming a lecturer of the Chinese ink painting department at the Nanyang Academy of Fine Arts. He advocated tradition in his Chinese ink painting style. Chen's training in Xinhua firmly grounded him in traditional principles of Chinese painting. This also includes his inclination towards the ancient Chinese tradition of painting as "idea writing", using inscriptions to fortify the meanings of the paintings. At the same time he was convinced that the traditions of Chinese painting were ripe for reform and revision at that time, as art in Shanghai and China then saw the emergence of his peers experimenting Modernism with conventional principles in Chinese ink painting. He strongly believed that communicating art to the viewers is top priority in creating art, against the classic Modernist tenet that the innate subjectivism, sensibilities and concerns of the individual artist should always prevail over viewer accessibility. In 1935 he co-founded the Salon Art Society and taught art in various schools in Singapore between 1936 and 1970. He also served on various advisory and management committees of art societies in Singapore. In 1969, he co-founded the with artists like Lim Cheng Hoe, and , and served as the Society treasurer for many years.Chen died in 1986. In 1952 Chen and fellow artists Cheong Soo Pieng, Chen Wen Hsi and Liu Kang, were persuaded by Lim Hak Tai to visit Bali to seek inspiration for their art. This gave to Pictures of Bali painting exhibition in the same year, which was organized by the four artists and showcasing the paintings they did during their stay on the Indonesian island. It also led to the development of what is known today as the Nanyang School of Painting.
rdf:langString Nanyang art style
xsd:nonNegativeInteger 7628

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