Canon Alexander Galloway
http://dbpedia.org/resource/Canon_Alexander_Galloway
Canon Alexander Galloway (c. 1478 – c. 1552) was a 16th-century cleric from Aberdeen in Scotland. He was not only a Canon of St Machar’s Cathedral, he was a Royal Notary and Diocesan Clerk for James IV and James V of Scotland; vicar of the Parishes of Fordyce, Bothelny and Kinkell (1516-1552); five times Rector of King's College – University of Aberdeen; Master of Works on the Bridge of Dee in Aberdeen and for Greyfriars Church in Aberdeen; and Chancellor of the Diocese of Aberdeen. According to Steven Holmes, he was one of the most notable liturgists of his time, designing many fine examples of Sacrament Houses across the North-East of Scotland. He was a friend of and adviser to Hector Boece, the first Principal of the University of Aberdeen, as well as Bishop Elphinstone, Chancellor of S
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Canon Alexander Galloway
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Canon Alexander Galloway (c. 1478 – c. 1552) was a 16th-century cleric from Aberdeen in Scotland. He was not only a Canon of St Machar’s Cathedral, he was a Royal Notary and Diocesan Clerk for James IV and James V of Scotland; vicar of the Parishes of Fordyce, Bothelny and Kinkell (1516-1552); five times Rector of King's College – University of Aberdeen; Master of Works on the Bridge of Dee in Aberdeen and for Greyfriars Church in Aberdeen; and Chancellor of the Diocese of Aberdeen. According to Steven Holmes, he was one of the most notable liturgists of his time, designing many fine examples of Sacrament Houses across the North-East of Scotland. He was a friend of and adviser to Hector Boece, the first Principal of the University of Aberdeen, as well as Bishop Elphinstone, Chancellor of Scotland and Gavin Dunbar. He was an avid anti-Reformationist being a friend of Jacobus Latomus and Desiderius Erasmus Roterodamus and clerics in the Old University of Leuven. Along with Gavin Dunbar, Galloway designed and had built the western towers of the cathedral and designed the heraldic ceiling, featuring 48 coats of arms in three rows of sixteen. More than anyone else he contributed to the development of the artistry of Scottish lettering. He has a claim to be what some might call "a Renaissance Man".
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