Cannibal film

rdf:langString Cannibal film

rdf:langString Cannibal films, alternatively known as the cannibal genre or the cannibal boom, are a subgenre of horror films made predominantly by Italian filmmakers during the 1970s and 1980s. This subgenre is a collection of graphically violent movies that usually depict cannibalism by primitive, Stone Age natives deep within the Asian or South American rainforests. While cannibalism is the uniting feature of these films, the general emphasis focuses on various forms of shocking, realistic and graphic violence, typically including torture, rape and genuine cruelty to animals. This subject matter was often used as the main advertising draw of cannibal films in combination with exaggerated or sensational claims regarding the films' reputations. The genre evolved in the early 1970s from a similar subgenre known as mondo films, exploitation documentaries which claimed to present genuine taboo behaviors from around the world. Umberto Lenzi is often cited as originating the cannibal genre with his 1972 film Man from Deep River, while Antonio Climati's Natura contro from 1988 is similarly regarded to have brought the trend to a close. Ruggero Deodato's Cannibal Holocaust, released in 1980, is often considered to be the best-known film of the genre due to the significant controversy surrounding its release, and is one of the few films of the genre to garner mainstream attention. In recent years, the genre has experienced a cult following and revival, as new productions influenced by the original wave of films have been released. Due to their graphic content, the films of this subgenre are often the center of controversy, and many have been censored or banned in countries around the world. The animal cruelty featured in many of the films is often the focal point of the controversy, and these scenes have been targeted by certain countries' film boards. Several cannibal films also appeared on the video nasty list released by the Director of Public Prosecutions in 1983 in the United Kingdom. Nonetheless, the genre has occasionally fallen under favorable or more positive critical interpretation, and certain cannibals films have been noted for containing themes of anti-imperialism and critiques or commentary on Third World oppression and exploitation.