Byeongsin chum
http://dbpedia.org/resource/Byeongsin_chum an entity of type: Agent
病身舞（びょうしんまい、ピョンシンチュム、병신춤）（病身と別神（ビョルシン、별신）は違う）は、韓国慶尚南道密陽地方発祥の伝統舞踊で、ハンセン病患者、小人、身体障害者、背むしなど病身の人々の様相を真似たものである。旧暦の7月中旬を作男の日（モスムナル、머슴날）と定め、作男達をもてなして、様々な踊りと土俗的な遊びをする。 その踊りの中に身体障害者や病人をまねた滑稽な踊りである「病身舞」がある。 タルチュム（仮面戯）で踊る場合もある。
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병신춤(病身춤)은 경상남도 밀양 지방에 전해지는 전통춤이다. 밀양 지방에서는 음력 7월 중순을 머슴날로 정하여, 머슴을 대접하고 여러 가지 춤을 추면서 토속적인 놀이를 한다. 그 춤 중에서는 신체장애인이나 병자를 흉내낸 병신같은 춤인 병신춤이 있다. 밀양에서는 계급차가 심하였기 때문에, 하급 농민들의 슬픔이 춤으로 표현되었다고 한다. 유명한 여성연극배우인 공옥진이 일인창무극 『병신같은춤』을 연기하면서 매스컴을 통하여 대중에 알려지게 되었고 대중오락화되었다.
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病身舞（朝鮮語：병신춤）是一種朝鮮族民間舞蹈。大約成於朝鮮王朝時期的慶尚南道密陽市，主要是下層階級農民為諷刺兩班貴族，將其描繪成聾啞、視障和麻風病人等形象并進行模仿。[1] 該舞蹈具有一定的爭議性。贊成者認為其諷刺深刻而表達幽默，反對者則認為這歧視了殘障人士。[2]
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Byeongsin chum (Korean: 병신춤, lit. the dance of the handicapped) is a Korean folk dance that was performed by the lower class peasants to satirize the Korean nobility (Yangban) by depicting them as disabled and sick persons such as paraplegics, midgets, hunchbacks, the deaf, the blind, lepers, as well as characters from Pansori and other Korean folklore. It originated in Miryang, Gyeongsangnam-do. In modern times, byeongsin chum has been acknowledged to public by South Korean actress Gong Ok-jin (공옥진).Japan banned this practice during Japan's annexation period, but it has been revived as a Korean folk dance in South Korea and North Korea today.
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Le byeongsinchum (병신춤, la danse des handicapés) est une danse traditionnelle coréenne pratiqué initialement par les paysans pour railler les nobles yangban. Originaire de Miryang dans le Gyeongnam, elle présente également des caractères issus du pansori et de la mythologie coréenne. Au vingtième siècle, la danseuse Kong Ok-jin a fait connaître cette danse à un plus grand public.
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Byeongsin chum
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Byeongsinchum
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병신춤
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病身舞
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病身舞
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14491312
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1116898450
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Byeongsin chum (Korean: 병신춤, lit. the dance of the handicapped) is a Korean folk dance that was performed by the lower class peasants to satirize the Korean nobility (Yangban) by depicting them as disabled and sick persons such as paraplegics, midgets, hunchbacks, the deaf, the blind, lepers, as well as characters from Pansori and other Korean folklore. It originated in Miryang, Gyeongsangnam-do. In modern times, byeongsin chum has been acknowledged to public by South Korean actress Gong Ok-jin (공옥진).Japan banned this practice during Japan's annexation period, but it has been revived as a Korean folk dance in South Korea and North Korea today. In 2001, a performance of byeongsin chum put on by a South Korean theatrical group in Daehangno caused a controversy, with critics calling the play discriminatory and offensive toward the disabled. The Research Institute of the Differently Abled Person's Right in Korea (RIDRIK) stated that although the freedom of expression is important in art, the form that makes fun of the alienated is the problem, and that they disapproved of the old customs of Korean society that humiliate the disabled.
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Le byeongsinchum (병신춤, la danse des handicapés) est une danse traditionnelle coréenne pratiqué initialement par les paysans pour railler les nobles yangban. Originaire de Miryang dans le Gyeongnam, elle présente également des caractères issus du pansori et de la mythologie coréenne. Au vingtième siècle, la danseuse Kong Ok-jin a fait connaître cette danse à un plus grand public. Pendant la colonisation japonaise de la Corée (1910 — 1945), cette danse a été interdite par l'administration japonaise parce qu'elle était considérée trop vulgaire. Elle reste actuellement controversée car jugée discriminatoire et blessante pour les handicapés.
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病身舞（びょうしんまい、ピョンシンチュム、병신춤）（病身と別神（ビョルシン、별신）は違う）は、韓国慶尚南道密陽地方発祥の伝統舞踊で、ハンセン病患者、小人、身体障害者、背むしなど病身の人々の様相を真似たものである。旧暦の7月中旬を作男の日（モスムナル、머슴날）と定め、作男達をもてなして、様々な踊りと土俗的な遊びをする。 その踊りの中に身体障害者や病人をまねた滑稽な踊りである「病身舞」がある。 タルチュム（仮面戯）で踊る場合もある。
rdf:langString
병신춤(病身춤)은 경상남도 밀양 지방에 전해지는 전통춤이다. 밀양 지방에서는 음력 7월 중순을 머슴날로 정하여, 머슴을 대접하고 여러 가지 춤을 추면서 토속적인 놀이를 한다. 그 춤 중에서는 신체장애인이나 병자를 흉내낸 병신같은 춤인 병신춤이 있다. 밀양에서는 계급차가 심하였기 때문에, 하급 농민들의 슬픔이 춤으로 표현되었다고 한다. 유명한 여성연극배우인 공옥진이 일인창무극 『병신같은춤』을 연기하면서 매스컴을 통하여 대중에 알려지게 되었고 대중오락화되었다.
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病身舞（朝鮮語：병신춤）是一種朝鮮族民間舞蹈。大約成於朝鮮王朝時期的慶尚南道密陽市，主要是下層階級農民為諷刺兩班貴族，將其描繪成聾啞、視障和麻風病人等形象并進行模仿。[1] 該舞蹈具有一定的爭議性。贊成者認為其諷刺深刻而表達幽默，反對者則認為這歧視了殘障人士。[2]
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2363