Boris Porena
http://dbpedia.org/resource/Boris_Porena an entity of type: Thing
Boris Porena, né à Rome le 27 septembre 1927 - mort a Cantalupo in Sabina le 3 mai 1927 a été un intellectuel, compositeur et spécialiste en didactique italien. Il a été marié avec Paola Bučan, violoncelliste croate renommée et spécialiste en didactique, professeure dans le Conservatoire de Pérouse, en Ombrie, Italie.
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Boris Porena (Roma, 27 settembre 1927 – Cantalupo in Sabina, 3 maggio 2022) è stato un musicologo, insegnante e compositore italiano.
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Boris Porena (Rome, 27 September 1927 - Cantalupo in Sabina, 3 May 2022) was an Italian thinker, music composer and didactical expert. He was married to Paola Bučan, a famous Croatian cellist and teacher who, until her retirement in 2014 was a tenured professor at the Conservatorio di Musica in Perugia (Italy). His non compositional writings cover a number of other fields, especially pedagogy and grassroots didactics, but also philosophical reflections such as those expressed in "Metacultural Hypothesis: an hypothesis for survival" (1999).
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Boris Porena (Roma, 27 de septiembre de 1927 - Cantalupo in Sabina, 3 de mayo de 2022) fue un intelectual, compositor y didacta italiano. Casado con Paola Bučan, reconocida violoncelista y didacta croata, profesora titular en el Conservatorio de Perugia. En el campo de la crítica ha producido algunos ensayos de relieve sobre su maestro, Goffredo Petrassi. Ha escrito varios textos sobre música, entre los cuales es de importancia especial "Musica-Società" (Einaudi, 1975) Además de ello, cuenta con una rica obra poética, especialmente en alemán, su lengua materna.
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Boris Porena
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Boris Porena
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Boris Porena
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Boris Porena
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19823615
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1107662989
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2009-10-27
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Jorge Peixinho
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Boris Porena (Rome, 27 September 1927 - Cantalupo in Sabina, 3 May 2022) was an Italian thinker, music composer and didactical expert. He was married to Paola Bučan, a famous Croatian cellist and teacher who, until her retirement in 2014 was a tenured professor at the Conservatorio di Musica in Perugia (Italy). He was a disciple of Goffredo Petrassi – alongside other distinguished musicians such as Ennio Morricone, Aldo Clementi, and Sergio Cafaro. Although he was initially influenced by neoclassical poetics, he later evolved towards the use of the harmonic language of the late Renaissance period, which he has used with originality in order to build his own musical research which directly influenced his later compositional processes. He started composing when only 12 years old. His career is effectively in two distinct and different periods – the first being up until 1967 during which time he gained a wide national and international success. From 1968, as consequence of the evolution of both his thought and his social involvement, he abstained from composing, a period which lasted for the next twenty years. During that time he devoted himself to a grassroots cultural practice and set up the Metacultural Centre, located at Cantalupo in Sabina (Rieti, Italy). In 1988 he began to compose again with renewed enthusiasm, starting on a new and different compositional phase. As a musical critic he has written essays about his master, Goffredo Petrassi along with several other important texts about music; among them Musica/Società (Einaudi, 1975) stands out, going beyond purely musical issues and authoritatively examines and explores the fields of social and political analysis. He has taught new didactics of composition at the Santa Cecilia Conservatory in Rome and he has been director of the Research and Experimental Centre "Musica in Sabina". Among his many disciples are Jesús Villa-Rojo, Luca Lombardi, Celestino Dionisi, Giuliano d'Angiolini, Derek Healey, James Clifford Brown, Claudio Pietro, Jorge (Manuel Rosado Marques) Peixinho, Armando Santiago, Oliver Wehlmann, Monica Conversano [composer], Massimo Fornetti, Alessandro De Rosa, Emanuele Pappalardo and many more. His non compositional writings cover a number of other fields, especially pedagogy and grassroots didactics, but also philosophical reflections such as those expressed in "Metacultural Hypothesis: an hypothesis for survival" (1999). He has a considerable and deep-seated interest in natural sciences which have led him to becoming something of an authority in entomology and especially in coleopterology. He has written a rich collection of poetry, especially in German, his mother tongue.
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Boris Porena, né à Rome le 27 septembre 1927 - mort a Cantalupo in Sabina le 3 mai 1927 a été un intellectuel, compositeur et spécialiste en didactique italien. Il a été marié avec Paola Bučan, violoncelliste croate renommée et spécialiste en didactique, professeure dans le Conservatoire de Pérouse, en Ombrie, Italie.
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Boris Porena (Roma, 27 de septiembre de 1927 - Cantalupo in Sabina, 3 de mayo de 2022) fue un intelectual, compositor y didacta italiano. Casado con Paola Bučan, reconocida violoncelista y didacta croata, profesora titular en el Conservatorio de Perugia. Ha sido alumno de Goffredo Petrassi -junto con colegas y amigos como Ennio Morricone, Aldo Clementi, Sergio Cafaro, ...- y, aun estando inicialmente influenciado por la poética del neoclasicismo, se ha acercado en un momento sucesivo al lenguaje armónico del renacimiento tardío, que ha utilizado desde una perspectiva original, para construir la propia investigación musical. Ha comenzado muy joven con la composición (a 12 años). En su carrera se distingue un primer periodo (fino a 1967) donde obtiene amplio reconocimiento nacional e internacional. A partir de 1968, como consecuencia de la evolución de su pensamiento y de su recorrido de compromiso social, renuncia durante dos decenios a la composición, consagrándose a la práctica cultural de base. En este periodo funda el Centro Metacultural. A partir de 1988 retoma la composición con entusiasmo renovado, dando lugar a una nueva etapa de su obra. En el campo de la crítica ha producido algunos ensayos de relieve sobre su maestro, Goffredo Petrassi. Ha escrito varios textos sobre música, entre los cuales es de importancia especial "Musica-Società" (Einaudi, 1975) Sus obras escritras cubren también otros campos, y en especial la pedagogía y la didáctica de base, pero igualmente la reflexión filosófica, como ocurre en "Hipótesis Metacultural: una hipótesis para la supervivencia" (1999). Ha enseñado nueva didáctica de la composición en el Conservatorio de Santa Cecilia de Roma y ha sido director del Centro de investigación y experimentación cultural Musica in Sabina. Entre sus numerosos discípulos se cuentan Jesús Villa-Rojo, Luca Lombardi, James Clifford Brown, Giuliano d'Angiolini, Derek Healey, Claudio Prieto, Celestino Dionisi, Jorge (Manuel Rosado Marqués) Peixinho, Oliver Wehlmann, Alessandro De Rosa, Emanuele Pappalardo, ecc. Su interés por la naturaleza lo ha llevado a adquirir una elevada especialización en entomología y especialmente en coleopterología. Además de ello, cuenta con una rica obra poética, especialmente en alemán, su lengua materna.
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Boris Porena (Roma, 27 settembre 1927 – Cantalupo in Sabina, 3 maggio 2022) è stato un musicologo, insegnante e compositore italiano.
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9107