Beverly Fishman

http://dbpedia.org/resource/Beverly_Fishman an entity of type: Thing

Beverly Fishman (born 1955, Philadelphia, Pennsylvania) is an American painter and sculptor whose work explores science, medicine, and the body. She is a Guggenheim Fellow, a National Academy of Design Academician, an Anonymous Was a Woman awardee, and was Artist-in-Residence at Cranbrook Academy of Art between 1992 and 2019, where she was Head of the Painting Department. Although best known for her painted reliefs based on the forms of drugs and pharmaceuticals, Fishman has consistently worked in multiple media, such as cast-resin and glass sculpture, as well as silkscreen painting on metal, large-scale wall painting, and outdoor murals. While Fishman's artworks often look abstract, they are based on appropriated shapes, patterns, and images drawn from the pharmaceutical and illicit dr rdf:langString
rdf:langString Beverly Fishman
rdf:langString Beverly Fishman
rdf:langString Beverly Fishman
rdf:langString Philadelphia, Pennsylvania
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rdf:langString *Anonymous Was a Woman *Guggenheim Fellowship
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rdf:langString *Philadelphia College of Art , Yale University
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rdf:langString American
rdf:langString Beverly Fishman (born 1955, Philadelphia, Pennsylvania) is an American painter and sculptor whose work explores science, medicine, and the body. She is a Guggenheim Fellow, a National Academy of Design Academician, an Anonymous Was a Woman awardee, and was Artist-in-Residence at Cranbrook Academy of Art between 1992 and 2019, where she was Head of the Painting Department. Although best known for her painted reliefs based on the forms of drugs and pharmaceuticals, Fishman has consistently worked in multiple media, such as cast-resin and glass sculpture, as well as silkscreen painting on metal, large-scale wall painting, and outdoor murals. While Fishman's artworks often look abstract, they are based on appropriated shapes, patterns, and images drawn from the pharmaceutical and illicit drug industries as well as multiple forms of scientific and medical imaging. As she noted in 2017, "Although they look abstract, my paintings are tied to problems like attention-deficit disorder, opioid addiction, anxiety, and depression. Their forms connect them to the social problems of today."
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